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Hugh Everett

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If you want to get an interesting perspective do not think of Hugh as a traditional 20th century physicist but more of a Renaissance man with interests and skills in many different areas. He was smart and lots of things interested him and he brought the same general conceptual methodology to solve them. The subject matter was not so important as the solution ideas.
--
Donald Reisler

 
Hugh Everett

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(in the Italian Renaissance) there was no ‘subject-matter’. What we call subject matter now, was then painting itself. Subject matter came later on when parts of those works were taken out arbitrarily, when a man for no reason is sitting, standing or ling down. He became a bather, she became a bather; she was reclining; het just stood there looking ahead. That is when the posing in panting began... For really, when you think of all the life and death problems in the art of Renaissance, who cares if a Chevalier is laughing or that a young girl has a red blouse on.

 
Willem de Kooning
 

It is most important that we should rid art of all that it has contained of ‘recognizable material’ to date, all familiar subject matter, all traditional ideas, all popular symbols must be banished forthwith. More important still, we must hold enormous faith in ourselves; it is essential that the revelation we receive, the conception of an image which embraces a certain thing, which has no sense in itself, which has no subject, which means ‘absolutely nothing’ from the logical point of vue… …should speak so strongly in us, evoke such agony or joy, that we feel compelled to paint...

 
Giorgio de Chirico
 

In 1949, I ceased figurative painting and began works that were object oriented. The drawings from plant life seem to be a bridge to the way of seeing that brought about the paintings in 1949 that are the basis for all my later work. After arriving in Paris in 1948, I realized that figurative painting and also abstract painting (though my knowledge of the latter was very limited) as I had known in the 20th century no longer interested me as a solution to my own problems. I wanted to give up easel painting which I felt was too personal.

 
Ellsworth Kelly
 

Scientology, the word means study of life, study of knowledge, and that's where it is. It takes up all areas of life itself, things that are integral and maxims that are related to life and very existence. Let me give you an example. It's better if I take that, because it is such a broad-ranging subject covering so many different areas, the subject of communication. This is something that major breakthroughs exist in Scientology, being able to communicate in the world around you. And I think everybody would agree that this is an important subject. Well, there's an actual formula for communication which can be understood.

 
David Miscavige
 

Well sure, my sculptures are floor pieces. Each one, like any area on the surface of the earth,, supports a column of air that weighs – what is it? – 14.7 pounds per square inch. So in a sense, that might represent a column. It’s not an idea, it’s a sense of something you know, a demarked place. Somehow I think I always thought of it going that way, rather than an idea of a narrowing triangle going to the center of the earth... ...I have nothing to do with conceptual art. I’m not interested in ideas. If I were interested in ideas, I’d be in a field where what we think in is ideas... ...I don’t really know what an idea is. One thing for me is that if I can frame something in language, I would never make art out of it. I make art out of things which cannot be framed in any other way. (December 1969, talking with the audience)

 
Carl Andre
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