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Herman Melville

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Would that all excellent books were foundlings, without father or mother, that so it might be, we could glorify them, without including their ostensible authors. Nor would any true man take exception to this; — least of all, he who writes, — "When the Artist rises high enough to achieve the Beautiful, the symbol by which he makes it perceptible to mortal senses becomes of little value in his eyes, while his spirit possesses itself in the enjoyment of the reality."
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The last sentence is a quotation of Nathaniel Hawthorne

 
Herman Melville

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When the Artist rises high enough to achieve the Beautiful, the symbol by which he makes it perceptible to mortal senses becomes of little value in his eyes, while his spirit possesses itself in the enjoyment of the reality.

 
Nathaniel Hawthorne
 

The seeing of things as they really are — the seeing of a proportion veiled from other eyes (together with the power of expression), is what makes a man an artist. What makes him a great artist is a high fervour of spirit, which produces a superlative, instead of a comparative, clarity of vision.

 
John Galsworthy
 

Yogananda draws parallels between the Christian trinity of Father, Son and Holy Spirit and the yoga concept of Sat, Tat and Aum. Both traditions use the trinity to distinguish among the transcendent, divine reality; its immanence in creation; and a sacred, cosmic vibration that sustains the universe, he says.
And he asserts that Bible passages used to exclude non-Christians from salvation have been misconstrued. Some Christians believe, for instance, that Jesus' saying that "no one comes to the Father except through me" requires a belief in Jesus the man as God and personal savior. Yogananda, however, asserts that Jesus was referring to the need to achieve the same "Christ consciousness" he personified as a way to achieve oneness with God.
"Christ has been much misinterpreted by the world," Yogananda wrote. "Even the most elementary principles of his teachings have been desecrated, and their esoteric depths have been forgotten."

 
Paramahansa Yogananda
 

The integral vision, I believe, is more than happy to welcome empirical science as a part — a very important part — of the endeavor to befriend the Kosmos, to be attuned to its many moods and flavors and facets and forms. But a more integral psychology goes beyond that . . . With science we touch the True, the "It" of Spirit. With morals we touch the Good, the "We" of Spirit. What, then, would an integral approach have to say about the Beautiful, the "I" of Spirit itself? What is the Beauty that is in the eye of the Beholder? When we are in the eye of Spirit, the I of Spirit, what do we finally see?

 
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