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Of the man Sienkiewicz there is little to be obtained. Like all great creative geniuses, he is so completely identified with his work that even while his personality lives in his creations it eludes them. He offers us no confidences concerning himself, no opinions or prejudices. He does not divert the reader with personalities. He sets before us certain groups of men and women, whom certainly he knows and loves, and has lived among.
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Publisher's Preface to Without Dogma : A Novel of Modern Poland (1893), published by Little, Brown, and Company

 

Henryk Sienkiewicz

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I identified with both women. But Emma had a stronger message for the women I want to speak to now— women who work. I wanted to tell them that choosing to work doesn't make them oddballs and isn't antisocial.

 

Anne Bancroft

 

"Successful men of all the ages have learned to multiply themselves by gathering thought energy into a high potential and using it in the direction of the purpose intended. Every successful man or great genius has three particular qualities in common. The most conspicuous of these is that their minds grow more brilliant as they grow older, instead of less brilliant. Great men’s lives begin at forty, where the mediocre man’s life ends. The genius remains an ever-flowing fountain of creative achievement until the very last breath he draws. The geniuses have learned how to gather thought energy together to use for transforming their conceptions into material forms. The thinking of creative and successful men is never exerted in any direction other that that intended. That is why great men produce a prodigious amount of work, seemingly without effort and without fatigue. The amount of work such men leave to posterity is amazing. When one considers such men of our times as Edison, Henry Ford or Theodore Roosevelt, one will find the three characteristics I have mentioned common to every one of them."

 

Walter Russell

 

Neither realism nor romance alone will ever with its small plummet sound to its depths the human heart or its mystery; yet from the union of the two much perhaps might come.
We believe that just here lies the value of the novels of Henryk Sienkiewicz. He has worked out the problem of the modern novel so as to satisfy the most ardent realist, but he has worked it out upon great and broadly human lines. For him facts are facts indeed; but facts have souls as well as bodies. His genius is analytic, but also imaginative and constructive; it is not forever going upon botanizing excursions. He paints things and thoughts human.
The greatest genius assimilates unconsciously the best with which it comes in contact, and by a subtle chemistry of its own makes new combinations. Shakespeare, Dante, Goethe, and the realists, as well as all the forces of nature, have helped to make Henryk Sienkiewicz; yet he is not any one of them. He is never merely imitative. Originality and imaginative fire, a style vivid and strong, large humor, a profound pathos, a strong feeling for nature, and a deep reverence for the forms and the spirit of religion, the breath of the true cosmopolitan united with the intense patriotism of the Pole, a great creative genius, — these are the most striking qualities of the work of this modern novelist, who has married Romance to Realism.

 

Henryk Sienkiewicz

 

We are no longer fighting a great enemy, we are asserting a great principle: that the talents and dreams of average people — their warm human hopes and loves — should be rewarded by freedom and protected by peace. We are defending the nobility of normal lives, lived in obedience to God and conscience, not to government.

 

George W. Bush

 

I drift very easily into becoming E. L. Wisty. I’ve always felt very closely identified with that sort of personality. He is a completely lost creature, he never works, never moves, has no background and suspects everybody is peering at him and trying to get his secrets out of him. I've never met the man; he came out of me. I’d feel a lot easier if I’d met him and imitated him, as a matter of fact.

 

Peter Cook