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The old-fashioned idea that the simple piling up of experiences, one on top of another, can make you an artist, is, of course, so much rubbish. If acting were just a matter of experience, then any busy harlot could make Garbo’s Camille pale.
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Ch. 6

 

Helen Hayes

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As a general matter, I believe we should be very slow to make conclusions about the nature of the cosmos based upon inner experience — no matter how profound these experiences seem.

 

Sam Harris

 

Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist.

 

Harold Rosenberg

 

The Harlot Babylon is preparing the nations to receive the Antichrist. The Harlot Babylon will be a religion of affirmation, toleration, no absolutes, a counterfeit justice movement. They will feed the poor, have humanitarian projects, inspire acts of compassion for all the wrong reasons. They won’t know it, beloved they will be sincere, many of them, but their sincerity will not in any way lessen the impact of their deception. The fact that they are sincere does not make their deception less damaging.
I believe that one of the main pastors, as a forerunner to the Harlot movement, it’s not the Harlot movement yet, is Oprah. She is winsome, she is kind, she is reasonable, she is utterly deceived, utterly deceived. A classy woman, a cool woman, a charming woman, but has a spirit of deception and she is one of the clear pastors, forerunners to the Harlot movement.

 

Mike Bickle

 

"I think acting is something that I want to make sure that, if I do make that transition, I want to make sure that it's really dramatic, and put my energy into acting, you know, fully instead of trying to balance a whole lot of things at once, 'cause I really don't want to become one of those singer-trying-to-be-actor-but-didn't-really-work kind of thing."

 

Skye Sweetnam

 

We must grant the artist his subject, his idea, what the French call his donnée; our criticism is applied only to what he makes of it. Naturally I do not mean that we are bound to like it or find it interesting: in case we do not our course is perfectly simple — to let it alone. We may believe that of a certain idea even the most sincere novelist can make nothing at all, and the event may perfectly justify our belief; but the failure will have been a failure to execute, and it is in the execution that the fatal weakness is recorded. If we pretend to respect the artist at all we must allow him his freedom of choice, in the face, in particular cases, of innumerable presumptions that the choice will not fructify. Art derives a considerable part of its beneficial exercise from flying in the face of presumptions, and some of the most interesting experiments of which it is capable are hidden in the bosom of common things.

 

Henry James