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Disloyalty in trusted servants is one of the most disheartening things that can happen to a public performer. But it must not be thought that I say this out of personal experience: for in the many years that I have been before the public my secret methods have been steadily shielded by the strict integrity of my assistants, most of whom have been with me for years. Only one man ever betrayed my confidence, and that only in a minor matter. But then, so far as I know, I am the only performer who ever pledged his assistant to secrecy, honor and allegiance under a notarial oath.
--
Miracle Mongers and Their Methods (1920)

 

Harry Houdini

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He wanted me to understand two big things: First, that nobody, no group, is above others. Public servants are obliged to level with everybody, whether or not they'll like what he has to say. And second, that politics was a matter of personal honor. A man's word is his bond. You give your word, you keep it. For as long as I can remember, I've had a sort of romantic notion of what politics should be- and can be. If you do politics the right way, I believe, you can actually make people's lives better. And integrity is the minimum ante to get into the game. Nearly forty years after I first got involved, I remain captivated by the possibilities of politics and public service. In fact, I believe- as I know my grandpop did- that my chosen profession is a noble calling.

 

Joseph (Joe) Biden

 

Michael Jackson was one of the most talented and dynamic performer/singer/songwriters I ever had the pleasure of working with, he was amazing. Unfortunately, the controversy surrounding his personal life in recent years overshadowed his unparalleled contributions to the music world, which is a tragedy in and of itself. But his music will live on forever no matter what and his memory will be adored and admired for years to come.

 

Michael Jackson

 

Boys today hardly aspire to immortal honor, the honor of self-fulfilling achievement. It is highly disapproved of in the code of the organized system. Instead, they devote themselves to protecting their “personal honor” against insults; and conversely they dream of the transient notoriety which will prove that they are “somebody,” which they doubt. The personal honor that they protect does not include truthfulness, honesty, public usefulness, integrity, independence, or virtues like that. A reputation for these things does not win respect, it has no publicity value; it’s believed to be phony anyway, and if it’s true, the person is hard to get along with.

 

Paul Goodman

 

We can only take it so far, because man can only take it so far, lower self can only take it so far, and you have to realize that the public is only at a certain place. We won't see the day when the public accepts what we wanna project, even though they are accepting a lot now. By the time they're accepting it, maybe they'll be too old. ... If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play. A total silence trip is the ultimate. ... We do antagonize them psychologically. People look at us and react. They either go "Wow! Hey-hey-hey, baby!" and we say that's great. They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react — do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then I say project it.

 

Alice Cooper

 

I'm very concerned with the performer, but I'm not too concerned with the listener. It seems to me that if you can interest the performer and make him feel that he's done something really valuable, his playing will convince the audience just that. To write for the audience is just too uncertain. You never know what your audience may be like, but you can usually know what your performers will be like. A good musician has the training to appreciate all sorts of things you might try to do in a piece. A performer will also recognize whether a piece is skillfully written or original -- an audience might not always be so sure.

 

Elliott Carter