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What made Ingolfur Arnarson a great man was first and foremost his ideals, his unquenchable love of mankind, his conviction that the people needed improved conditions of life and better facilities for cultural advancement, his determination to mitigate his fellow men's sufferings by establishing a better form of government in the country . . . Middlemen and other parasites would no longer be allowed to batten on the farming classes. Ingolfur wanted to elevate the farmer's life to a position of honor and dignity, not in word alone, but in deed.

 

Halldor Laxness

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If America is to produce great painters and if young artists wish to assume a place in the history of the art of their country, their first desire should be to remain in America to peer deeper into the heart of American life, rather than spend their time abroad obtaining a superficial view of the art of the Old World. In the days when I studied abroad conditions were entirely different. The facilities for study in this country were meagre. There were even no life classes in our art schools and schools of painting. Naturally one had to seek instruction elsewhere, abroad. Today we need not do that.

 

Thomas Eakins

 

While early American society was an agrarian society, it was fast becoming more commercial, and commercial goals made their way among its agricultural classes almost as rapidly as elsewhere. The more commercial society became, however, the more reason it found to cling in imagination to the noncommercial agrarian values. The more farming as a self-sufficient way of life was abandoned for farming as a business, the more merit men found in what was being left behind. And the more rapidly the farmers' sons moved into the towns, the more nostalgic the whole culture became about its rural past. The American mind was raised upon a sentimental attachment to rural living and upon a series of notions about rural people and rural life that I have chosen to designate as the agrarian myth. The agrarian myth represents a kind of homage that Americans have paid to the fancied innocence of their origins.
Like any complex of ideas, the agrarian myth cannot be defined in a phrase, but its component themes form a clear pattern. Its hero was the yeoman farmer, its central conception the notion that he is the ideal man and the ideal citizen.

 

Richard Hofstadter

 

To State Department employees: "Yours is not an easy task nor one which is much appreciated. You don't ask much of your fellow citizens, and if any of you are so inexperienced that you ever do, you will receive very little. Certainly not much in the form of material recompense; certainly not much in the form of appreciation for your work, because you are dealing with matters which, though they affect life of every citizen of this country intimately, do it in ways which it is not easy for every citizen to understand. And so you are dealing in a field which I called the other day a field of 'alien knowledge,' which seems strange to many of your fellow citizens … We have a tradition in this country of skepticism about government, of looking at it very carefully, of seeing whether our public servants can take it. That isn't always comfortable, but, on the whole, it is good. Any time when there are governments in the world which are crushing the liberties of their citizens, it is good that in this great country people look with some skepticism upon government as such. That is one of our traditions … "

 

Dean Acheson

 

I pulled On The Road off the shelf and found myself reading it between classes, and at that time in my life it was exactly what I craved, exactly what I needed to hear. I thought, “That’s the way, that’s the ideal life, that’s great. You get in a car and you drive and you see your friends and you end up in a city for a night and you go out drinking and you catch up and you share these really intense experiences. And then you’re on the road and you’re doing it again.” The romance of the road, particularly from Kerouac’s work, encapsulated how I wanted to live. I found a way to do it by being a musician, which is what I always wanted to be. The traveling and the being on tour and being away from home set a precedent for me where I thought, “Oh yeah, this is how it works.”
But then in reading Big Sur, it’s the end of the road. You end up with a series of failed relationships and you end up being an alcoholic and in your late 30s, and not having any kind of real grip on the lives of the people around you. That’s the potential other end of the spectrum when you’re never tied to anybody or anything. I run the risk of losing touch with the people in my life that mean the most to me because I have made the decision to live like this.

 

Jack Kerouac

 

I pulled On The Road off the shelf and found myself reading it between classes, and at that time in my life it was exactly what I craved, exactly what I needed to hear. I thought, “That’s the way, that’s the ideal life, that’s great. You get in a car and you drive and you see your friends and you end up in a city for a night and you go out drinking and you catch up and you share these really intense experiences. And then you’re on the road and you’re doing it again.” The romance of the road, particularly from Kerouac’s work, encapsulated how I wanted to live. I found a way to do it by being a musician, which is what I always wanted to be. The traveling and the being on tour and being away from home set a precedent for me where I thought, “Oh yeah, this is how it works.”
But then in reading Big Sur, it’s the end of the road. You end up with a series of failed relationships and you end up being an alcoholic and in your late 30s, and not having any kind of real grip on the lives of the people around you. That’s the potential other end of the spectrum when you’re never tied to anybody or anything. I run the risk of losing touch with the people in my life that mean the most to me because I have made the decision to live like this.

 

Ben Gibbard