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H. P. Lovecraft

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What I now heard so graphically at first-hand, though it was really no more than a detailed confirmation of what my uncle had written, excited me afresh; for I felt sure that I was on the track of a very real, very secret, and very ancient religion whose discovery would make me an anthropologist of note. My attitude was still one of absolute materialism, as l wish it still were, and I discounted with almost inexplicable perversity the coincidence of the dream notes and odd cuttings collected by Professor Angell.

 
H. P. Lovecraft

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The dream-narratives and cuttings collected by the professor were, of course, strong corroboration; but the rationalism of my mind and the extravagance of the whole subject led me to adopt what I thought the most sensible conclusions. So, after thoroughly studying the manuscript again and correlating the theosophical and anthropological notes with the cult narrative of Legrasse, I made a trip to Providence to see the sculptor and give him the rebuke I thought proper for so boldly imposing upon a learned and aged man.

 
H. P. Lovecraft
 

The writing accompanying this oddity was, aside from a stack of press cuttings, in Professor Angell's most recent hand; and made no pretense to literary style. What seemed to be the main document was headed "CTHULHU CULT" in characters painstakingly printed to avoid the erroneous reading of a word so unheard-of.

 
H. P. Lovecraft
 

Oh, everyone laughs in my face now, and assures me that one cannot dream of such details as I am telling now, that I only dreamed or felt one sensation that arose in my heart in delirium and made up the details myself when I woke up. And when I told them that perhaps it really was so, my God, how they shouted with laughter in my face, and what mirth I caused! Oh, yes, of course I was overcome by the mere sensation of my dream, and that was all that was preserved in my cruelly wounded heart; but the actual forms and images of my dream, that is, the very ones I really saw at the very time of my dream, were filled with such harmony, were so lovely and enchanting and were so actual, that on awakening I was, of course, incapable of clothing them in our poor language, so that they were bound to become blurred in my mind; and so perhaps I really was forced afterwards to make up the details, and so of course to distort them in my passionate desire to convey some at least of them as quickly as I could. But on the other hand, how can I help believing that it was all true? It was perhaps a thousand times brighter, happier and more joyful than I describe it. Granted that I dreamed it, yet it must have been real. You know, I will tell you a secret: perhaps it was not a dream at all!

 
Fyodor Dostoevsky
 

"Some common friends of Jarrod (Montague, drummer of Taproot) and I had passed a Celldweller disc on to him, and I had heard that he was into it. He came down to the studio while I was making the record while he was home for a short break from working on WELCOME. He is a good guy and I just asked him to play on a track somewhat spontaneously and he was into it. 'I Believe You' was one of the newest songs I had written at that time and I was still debating if I was going to play the drums on the track although I really didn’t want to. Jarrod heard the track and knew it was right up his alley."

 
Klayton
 

People are entirely too disbelieving of coincidence. They are far too ready to dismiss it and to build arcane structures of extremely rickety substance in order to avoid it. I, on the other hand, see coincidence everywhere as an inevitable consequence of the laws of probability, according to which having no unusual coincidence is far more unusual than any coincidence could possibly be.

 
Isaac Asimov
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