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H. G. Wells (Herbert George)

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Practically I thought I had impunity to do whatever I chose, everything—save to give away my secret. So I thought. Whatever I did, whatever the consequences might be, was nothing to me. I had merely to fling aside my garments and vanish. No person could hold me. I could take my money where I found it.
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Chapter 23: In Drury Lane

 
H. G. Wells (Herbert George)

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If one day the secret of childhood were to become no longer a secret, the state would be able to save immense sums that it spends on hospitals, psychiatric clinics, and prisons maintaining our blindness. That this might deliberately happen is almost too incredible a thought.

 
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<14:06> ...Of course I made it quite clear to the women that I thought that that the way that they had been abused was terrible and completely unjustifiable. However, I thought that it was very important that they should understand their own complicity in it; so that, for example, they understood that the way they chose men, and their refusal to see signs (which they were capable of seeing) resulted in their misery… <14:40> To give you a concrete example, I would say to them, ‘This man of yours, who’s very nasty to you, and drags you across the floor, and puts your head through the window, and sometimes even hangs you out of the window by your ankles: How long do you think it would take me to realise he was no good, as he came through the door? Would it take me a second, or half a second, or an eighth of a second, or would I not notice that there was anything wrong with him at all?’ And they’d say, ‘Oh, an eighth of a second, you’d know immediately.’ And I would say to them, ‘Well, if you know that I would know immediately, then you knew immediately as well.’ It’s a logical consequence, really. And they would accept that. ‘And yet, you chose to associate with him, knowing full well that he was no good; and I tell you this, because it’s very necessary you should understand your own part in the predicament you now find yourself in, because if you don’t understand it, or don’t think about it, you’re just going to repeat it.’ which is of course, a very, very common pattern.

 
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While the preceding argument has tried in every possible manner, conceivable and inconceivable, to have it recognized that Mozart’s Don Juan takes the highest place among all classical works, it has made practically no attempt to prove that this work is really a classic; for the suggestions found here and there, precisely as being only suggestions, show that they are not intended to furnish proof, but only to afford an opportunity for enlightenment. This procedure may seem more than peculiar. The proof that Don Juan is a classic work is in the strictest sense a problem for thought; while, on the contrary, the other attempt, with regard to the exact sphere of thought, is quite irrelevant. The movement of thought is satisfied with having it recognized that Don Juan is a classic, and that every classic production is equally perfect; to desire to do more than that is for thought a thing of evil. In this way the preceding argument involves itself in a self-contradiction and easily dissolves into nothing. This is, however, quite correct, and such a self-contradiction is deeply rooted in human nature. My admiration, my sympathy, my piety, the child in me, the woman in me, demanded more than thought could give. My thought found repose, rested happy in its knowledge; then I came to it and begged it yet once more to set itself in motion, to venture the utmost. I knew very well that it was in vain; but since I am accustomed to living on good terms with my thought, it did not refuse me. However, its efforts accomplish nothing; incited by me it constantly transcended itself, and constantly fell back into itself. It constantly sought a foothold, but could not find it; constantly sought bottom, but could neither swim nor wade. It was something both to laugh at and to weep over. Hence, I did both, and I was very thankful that it had not refused me this service. And although I know perfectly well that it will accomplish nothing, I am still as likely to ask it once more to play the same game, which is to me an inexhaustible source of delight. Any reader who finds the game tiresome is, of course, naturally not of my kind; for him the game has no significance, and it is true here as elsewhere, that like-minded children make the best play-fellows.

 
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