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Throughout the whole world we see variations of this same subordination of the individual to the organisation of power. Phase by phase these ill-adapted governments are becoming uncontrolled absolutisms; they are killing that free play of the individual mind which is the preservative of human efficiency and happiness. The populations under their sway, after a phase of servile discipline, are plainly doomed to relapse into disorder and violence. Everywhere war and monstrous economic exploitation break out, so that those very same increments of power and opportunity which have brought mankind within sight of an age of limitless plenty, seem likely to be lost again, it may be lost forever, in an ultimate social collapse.
--
The Rights of Man, or what are we fighting for?, (1940).

 

H. G. Wells (Herbert George)

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When I say that this phase is necessary, the word phase is perhaps not the most rigorous one. It is not a question of a chronological phase, a given moment, or a page that one day simply will be turned, in order to go on to other things. The necessity of this phase is structural; it is the necessity of an interminable analysis: the hierarchy of dual oppositions always reestablishes itself. Unlike those authors whose death does not await their demise, the time for overturning is never a dead letter.

 

Jacques Derrida

 

The human mind in all countries having gone to the uttermost limit of its own capacity, flushed with its conquests, haughty after its self-assertion upon emerging from the prior dark age, is now nearing a new phase, a phase inherent in the nature and destiny of things.
The human mind, like the silk-worm oppressed with the fullness of its own accumulation, has spun about itself gradually and slowly a cocoon that at last has shut out the light of the world from which it drew the substance of its thread. But this darkness has produced the chrysalis, and we within the darkness feel the beginning of our throes. The inevitable change, after centuries upon centuries of preparation, is about to begin.

 

Louis Sullivan

 

The duration of every political phase is just as long as it takes to unveil its shortcomings and evil. While discovering its defects, it makes way for a new phase, liberated from these failings. Thus, these impairments that appear in a situation and destroy it are the very forces of human evolution, as they raise humanity to a more corrected state.

 

Yehuda Ashlag

 

There was no time, Hezekiah had said. No such thing as time in the terms of normal human thought. Time was bracketed and each of its brackets contained a single phase of a universe so vastly beyond human comprehension that it brought a man up short against the impossibility of envisioning it.
And time itself? Time was a never-ending medium that stretched into the future and the past — except there was no future and no past, but an infinite number of brackets, extending either way, each bracket enclosing its single phase of the Universe.
Back on Man's original Earth, there had been speculation on travelling in time, of going back into yesterday or forward into tomorrow. And now he knew that you could not do it, that the same instant of time remained forever within each bracket, that Man's Earth had ridden the same bubble of the single instant from the time of its genesis and that it would die and come to nothing within that self-same instant.
You could travel in time, of course, but there would be no yesterday and no tomorrow. But if you held a certain time sense you could break from one bracket to another, and when you did you would not find yesterday or tomorrow, but another world.

 

Clifford D. Simak

 

It belongs to journalism — and to the millennial complex from which so many journalists and journalist intellectuals suffer in our day — that each new phase of Modernist art should be hailed as the start of a whole new epoch in art, marking a decisive break with all the customs and conventions of the past. Each time, a kind of art is expected so unlike all previous kinds of art, and so free from norms of practice or taste, that everybody, regardless of how informed or uninformed he happens to be, can have his say about it. And each time, this expectation has been disappointed, as the phase of Modernist art in question finally takes its place in the intelligible continuity of taste and tradition.

 

Clement Greenberg