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These letters have come to be important to me because they help throw a little sand in the inevitability of the great story-telling machine in which everything is propelled towards death, murder, suicide.
--
Son Felix on Gudrun's and Baader's letters in The element of madness. Perlentaucher Medien GmbH (July 12, 2009). Retrieved on Feburary 22, 2010.

 

Gudrun Ensslin

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It's so rare to find a movie that doesn't take sides. Conflict is said to be the basis of popular fiction, and yet here is a film that seizes us with its first scene and never lets go, and we feel sympathy all the way through for everyone in it. To be sure, they sometimes do bad things, but the movie understands them and their flaws. Like great fiction, House of Sand and Fog sees into the hearts of its characters, and loves and pities them. ... "House of Sand and Fog" relates not a plot with its contrived ups and downs but a story. A plot is about things that happen. A story is about people who behave.
To admire a story you must be willing to listen to the people and observe them, and at the end of House of Sand and Fog, we have seen good people with good intentions who have their lives destroyed because they had the bad luck to come across a weak person with shabby desires.

 

Roger Ebert

 

I'm not a collector. I don't keep letters, or books, or souvenirs. But I do keep one copy of each translation of my books into a foreign language. Have you ever seen a murder story printed in Singhalese? Wow!

 

Rex Stout

 

In walls of masonry the first question must be with regard to the sand, in order that it may be fit to mix into mortar and have no dirt in it. The kinds of pitsand are these: black, gray, red, and carbuncular. Of these the best will be found to be that which crackles when rubbed in the hand, while that which has much dirt in it will not be sharp enough. Again: throw some sand upon a white garment and then shake it out; if the garment is not soiled and no dirt adheres to it, the sand is suitable.

 

Vitruvius

 

John Lofton: Do you think abortion is murder?
Ron Paul: Yes, but we have in our state laws, which enforce the law against murder, there are degrees. You have 1st, 2nd, and 3rd degree murder. I think somebody who takes a pill the day after probably isn't committing quite the horrible murder when you see somebody lying on the floor and somebody takes a gun and puts it to their head. I don't equate those...
John Lofton: What do you think ought to be the penalty for the abortionist and for the person who gets the abortion?
Ron Paul: I really don't have the wisdom to know exactly what it should be... The girl who goes and gets an abortion, she's a participant in it, I don't think she deserves the death penalty... But there are some abortionists that it wouldn't be very hard to give them a pretty harsh punishment, because, you know, nothing annoys me more than the fact that an abortionist can make money killing a live viable fetus, in the 3rd trimester, and they think nothing about it, and they make a living doing this. Any yet, one minute after birth, that same mother, who might throw the child away, rightfully is called to task, and actually charged with murder. So that inconsistency has to be resolved.

 

Ron Paul

 

 Novelists when they write novels tend to take an almost godlike attitude toward their subject, pretending to a total comprehension of the story, a man's life, which they can therefore recount as God Himself might, nothing standing between them and the naked truth, the entire story meaningful in every detail. I am as little able to do this as the novelist is, even though my story is more important to me than any novelist's is to him — for this is my story; it is the story of a man, not of an invented, or possible, or idealized, or otherwise absent figure, but of a unique being of flesh and blood. Yet, what a real living human being is made of seems to be less understood today than at any time before, and men — each one of whom represents a unique and valuable experiment on the part of nature — are therefore shot wholesale nowadays. If we were not something more than unique human beings, if each one of us could really be done away with once and for all by a single bullet, story telling would lose all purpose. But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.
Few people nowadays know what man is. Many sense this ignorance and die the more easily because of it, the same way that I will die more easily once I have completed this story.

 

Hermann Hesse