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The whole Renaissance tradition is antipethic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cezanne and after him Picasso and myself can take a lot of credit for this… …Scientific perspective forces the objects in a picture to disappear away form the beholder instead of bringing them within his reach as painting should.
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artist quotes from The Observer, John Richardson, 1 December 1957; as quoted in "Braque", Edwin Mullins, Thames and Hudson, London 1968, p. 128

 

Georges Braque

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