The battle between Good and Evil is a theme of much of fantasy. But I think the battle between Good and Evil is fought largely within the individual human heart, by the decisions that we make. It’s not like evil dresses up in black clothing and you know, they’re really ugly. These are some of the things that Tolkien did; he made them work fabulously, but in the hands of his imitators, they become total clichés. I mean the orc-like creatures who always do dress in black and... they’re really ugly and they’ve got facial deformities or something. You can tell that if somebody’s ugly, he must be evil. And then Tolkien’s heroes are all very attractive people and all that, of course, again this became cliché in the hands of the Tolkien imitators.
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Interview with TIME Entertainment, Fantasy and History, April 2011.George R. R. Martin
» George R. R. Martin - all quotes »
Much as I admire Tolkien, and I do admire Tolkien — he’s been a huge influence on me, and his Lord of the Rings is the mountain that leans over every other fantasy written since and shaped all of modern fantasy — there are things about it, the whole concept of the Dark Lord, and good guys battling bad guys, Good versus Evil, while brilliantly handled in Tolkien, in the hands of many Tolkien successors, it has become kind of a cartoon. We don’t need any more Dark Lords, we don’t need any more, ‘Here are the good guys, they’re in white, there are the bad guys, they’re in black. And also, they’re really ugly, the bad guys.
J. R. R. Tolkien
Much as I admire Tolkien, and I do admire Tolkien — he’s been a huge influence on me, and his Lord of the Rings is the mountain that leans over every other fantasy written since and shaped all of modern fantasy — there are things about it, the whole concept of the Dark Lord, and good guys battling bad guys, Good versus Evil, while brilliantly handled in Tolkien, in the hands of many Tolkien successors, it has become kind of a cartoon. We don’t need any more Dark Lords, we don’t need any more, ‘Here are the good guys, they’re in white, there are the bad guys, they’re in black. And also, they’re really ugly, the bad guys.
George R. R. Martin
Illustrating the works of J.R.R. Tolkien means deciding what is best not illustrated, deciding what needs deep shadow or distance or slanting November light. Tolkien is the master of evocation — his descriptions are catalysts for the reader, who summons his own personal pantheon of heroes and demons to complete the picture. Illustrating Tolkien means confronting these nebulous certitudes, radically differing from one reader to the next. Illustrating Tolkien means treading warily, dipping one's brushes in shadow and rinsing them in light. Battle and balance, down the impossible path between the clear and the obscure.
John Howe
A person can be both good and evil, just as it is quite simply said that a human being has a disposition to both good and evil, but one cannot simultaneously become both good and evil. Esthetically, the poet has been required not to depict these abstract models of virtue or diabolical characters but to do as Goethe does, whose characters are both good and evil. And why is this a legitimate requirement? Because we want the poet to depict human beings as they are, and every human being is both good and evil, and because the poet’s medium is the medium of imagination, is being but not becoming, at most is becoming in a very foreshortened perspective. But take the individual out of this medium of imagination, out of this being, and place him in existence-then ethics immediately confronts him with its requirement, whether he now deigns to become, and then he becomes-either good or evil. In the earnest moment of self-contemplation, in the sacred moment of confession, the individual removes himself from the process of becoming and in the realm of being inspects how he is. Alas, the result unfortunately is that he is both good and evil, but as soon as he is again in the process of becoming he becomes either good or evil.
Soren Aabye Kierkegaard
Martin, George R. R.
Martin, Chris
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