The Johnson film wasn't terrible. I just didn't agree with the politics. I'm not a fan of big government and propaganda films are distasteful.
--
On a United States Information Agency Film about President Lyndon Johnson's trip to Asia, which he worked on as an editor, The San Francisco Chronicle, May 23, 1971George Lucas
How do I pick a role? Well, primarily I think I would like to be part of a film that's progressive as well as entertaining, you know? Because in India we have a huge amount of audience that is not educated, and they really look up to films... So I think it's important to do a film... that's entertaining but has a message. And after that I'd like to do films that are different for me -- if I'm doing a love story then I want to do a war film, if I'm doing a war film then I want to do a story about an un-wed mother. I think variety is the spice of life.
Preity Zinta
You read reviews by top reviewers of films that not only had remarkably interesting scores, but films whose effectiveness was absolutely enhanced, and frequently created by the music, yet the reviewers seem unaware that their emotions and their nervous reactions to the films have been affected by the scoring. This is a serious flaw. Any film reviewer owes it to himself, and the public, to take every element of the film into account
Jerry Goldsmith
I didn't get into politics because I thought government had a better answer. I got into politics because I knew government didn't have the real answers, that the real answers lie in accepting Jesus Christ into our lives.
Mike Huckabee
There have been innumerable films about film-making, but Otto e Mezzo was a film about the processes of thinking about making a film -- certainly the most enjoyable part of any cinema creation.
Peter Greenaway
He's done two masterpieces, you don't have to bother with the rest. One is Blow-Up, which I've seen many times, and the other is La Notte, also a wonderful film, although that's mostly because of the young Jeanne Moreau. In my collection I have a copy of Il Grido, and damn what a boring movie it is. So devilishly sad, I mean. You know, Antonioni never really learned the trade... He concentrated on single images, never realising that film is a rhythmic flow of images, a movement. Sure, there are brilliant moments in his films. But I don't feel anything for L'Avventura, for example. Only indifference. I never understood why Antonioni was so incredibly applauded. And I thought his muse Monica Vitti was a terrible actress.
Ingmar Bergman
Lucas, George
Lucas, Josh
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