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Frank Klepacki

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(When asked about his Westwood experiences) Westwood was a fantastic place to work, with great people, great games we created, and we all really loved what we did. We were passionate about it. I have so many great memories there, and the ironic thing is I actually regret not having attended more of the fun company functions and parties while I was instead playing club gigs with bands with the mentality of trying to get signed or discovered. Granted thats the kind of thing you try for when you're young, but it took awhile to sink in, that my real future and career was already under my nose. Lots of funny stuff happened. Office pranks, fun extra content we created, certain personalities that always made you laugh. Just all of life's experiences along the way whether it was staying in an awful hotel on a business trip, or trying to set-up an embarrassed co-worker with a date, it's all great stuff you can laugh about later. When Westwood closed it was truly the end of an era, but in a way it has been resurrected at Petroglyph where I am now. Half the company are old Westwood employees and although it's a different time in the industry, we are all thankful to still be working together and making the best games we can.

 
Frank Klepacki

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It's a dream for any artist to have a catalogue of music that would be considered his greatest hits. For me, as a singer and songwriter, to release a collection of music that spans over two decades of my life and career is especially meaningful. Those songs represtent a life in progress. As it is with any life, people and experiences become a part of one's creations and helped give birth to twenty-four albums. I would like to dedicate this body of work -- especially "Nayib's Song" and "Along Came You" -- to my two beautiful children who inspired those songs and who inspire me on a daily basis, and whom I consider my best works to date. I owe a great deal of gratitude to all of my fans who have ridden this incredible rollercoaster of life with me and who are the reason I have tried to remain true to the gift I have been granted: that of making music. And although it's very difficult to decide what is truly essential, you can be sure that what is in this collection is what you -- the fans across the world -- made into hits. And for that, I will be eternally thankful.

 
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On 30 March 1983 The Birthday Party played Los Angeles. Me and all the guys from Black Flag went to see them do two sets at a small place called The Roxy, and they were thoroughly godhead. They were one of the all-time premier live bands. .... I see Nick about once a year, which is about as much as I see anybody I don't work with. But that means when I do run into him it's really great to see him. He's an excellent human and I love him a lot and that's the bottom line, he's one of my favourite people, and I think he's a tremendous artist. He has a great band, too. The Bad Seeds are a band I will travel a great distance to see whenever possible. What Nick goes after is so incredibly interesting every time, because it's always different. He always takes chances. The art comes before the commerce. As far as the music business goes, he's one of the good guys. He's the real thing.

 
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Frank Klepacki
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