Thursday, November 21, 2024 Text is available under the CC BY-SA 3.0 licence.

Francoise Sagan

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For me writing is a question of finding a certain rhythm. I compare it to the rhythms of jazz. Much of the time life is a sort of rhythmic progression of three characters. If one tells oneself that life is like that, one feels it less arbitrary.

 
Francoise Sagan

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I would keep writing even without the eventual possibility of glory. Really, with writing, the idea that I was going to be able to support myself was a long shot. I’m living off my writing now, without grants or a part time job, and it feels so tenuous. It could go downhill tomorrow, you know? I was writing before I thought it was even a real possibility to support myself with my writing, and I’ll keep writing after it becomes clear that it isn’t a real possibility after all. Not because I “must write” or because it’s “in my blood” or anything poetic like that. Or maybe those are just fancy ways of describing this certainty I have that all of my worth is wrapped up in my writing. From very young it seemed to me that writing was the only thing I did that was worthwhile. That had a chance of lasting. So, my work is something I have always given priority. The rest of my life can be falling apart, and it often seems to be, and I still take the time to work on the comic, or short stories. I am always moving forward with my writing. In a way I do treat everything else as a support system for the writing, but it isn’t really. And by treating it that way, I tend to neglect it.

 
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Good jazz is when the leader jumps on the piano, waves his arms, and yells. Fine jazz is when a tenorman lifts his foot in the air. Great jazz is when he heaves a piercing note for 32 bars and collapses on his hands and knees. A pure genius of jazz is manifested when he and the rest of the orchestra run around the room while the rhythm section grimaces and dances around their instruments.

 
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Coming to terms with the rhythms of women's lives means coming to terms with life itself, accepting the imperatives of the body rather than the imperatives of an artificial, man-made, perhaps transcendentally beautiful civilization. Emphasis on the male work-rhythm is an emphasis on infinite possibilities; emphasis on the female rhythms is an emphasis on a defined pattern, on limitation.

 
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I began to write what I called 'rhythms' ie unrhymed pieces with no formal metrical scheme where the rhythm was created by a kind if inner chant..Later I was told I was writing 'free verse' or Vers libre.

 
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I've always spent a lot of time on my records with what I think were unique rhythmic approaches ... but no one ever writes about your rhythm playing

 
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