"Up to a point, Lord Copper."
--
Lord Copper, proprietor of the Daily Beast is a man to whom one never says 'No' directly. This is what one says instead.Evelyn Waugh
Lord Copper quite often gave banquets; it would be an understatement to say that no one enjoyed them more than the host, for no one else enjoyed them at all, while Lord Copper positively exulted in every minute.
Evelyn Waugh
But at some point, you know that— you know what poem keeps going through my mind is, "first they came for the Jews." People, all of us, are like, "Well, this news doesn't really affect me." "Well, I'm not a bondholder." "Well, I'm not in the banking industry." "Well, I'm not a big CEO." "Well, I'm not on Wall Street." "Well, I'm not a car dealer." "I'm not an auto worker." Gang, at some point, they're going to come for you!
Glenn Beck
My idea in "My Sweet Lord," because it sounded like a "pop song," was to sneak up on them a bit. The point was to have the people not offended by "Hallelujah," and by the time it gets to "Hare Krishna," they're already hooked, and their foot's tapping, and they're already singing along "Hallelujah," to kind of lull them into a sense of false security. And then suddenly it turns into "Hare Krishna," and they will all be singing that before they know what's happened, and they will think, "Hey, I thought I wasn't supposed to like Hare Krishna!"
George Harrison
Fundamentally, our Lord's message was Himself. He did not come merely to preach a Gospel; He himself is that Gospel. He did not come merely to give bread; He said, "I am the bread". He did not come merely to shed light; He said, "I am the light". He did not come merely to show the door; He said, "I am the door". He did not come merely to name a shepherd; He said, "I am the shepherd". He did not come merely to point the way; He said, "I am the way, the truth, and the life".
J. Sidlow Baxter
In my use of the camera, I work to make images that go beyond, and even undermine, the conventions of "point of view." Such images transcend the limitation that would seem to be inherent in the photographic mechanism (or "point-of-view machine"). They allow the viewer to see and feel the "room"—or the world, or reality—as it is, beyond the ego’s self-reference. And such images thereby become a non-verbal means of "picturing" the essential human process of ego-transcendence—going beyond the fixed "point of view" of the ego, or the core presumption of separateness
Adi Da
Waugh, Evelyn
Wax, Ruby
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