Your source material is the people you know, not those you don't know, [but] every character is an extension of the author's own personality.
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The New York Times (18 September 1966)Edward Albee
Until a character becomes a personality it cannot be believed. Without personality, the character may do funny or interesting things, but unless people are able to identify themselves with the character, its actions will seem unreal. And without personality, a story cannot ring true to the audience.
Walt Disney
Flaubert spoke true: to succeed a great artist must have both character and fanaticism and few in this country are willing to pay the price. Our writers have either no personality and therefore no style or a false personality and therefore a bad style; they mistake prejudice for energy and accept the sensation of material well-being as a system of thought.
Cyril Connolly
I must avert here once again to my view of the opposition that exists between individuality and personality, notwithstanding the fact that the one demands the other. Individuality is, if I may so express it, the container or thing which contains, personality the content or thing contained, or I might say that my personality is in a certain sense my comprehension, that which I comprehend or embrace within myself — which is in a certain way the whole Universe — and that my individuality is my extension; the one my infinite, the other my finite.
Miguel de Unamuno
I have become an enthusiast for the printed word again. I have to be that, I now understand, because I want to be a character in all of my works. I can do that in print. In a movie, somehow, the author always vanishes. Everything of mine which has been filmed so far has been one character short, and that character is me.
Kurt Vonnegut
Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third. And to this end the actor must forget his personality and throw aside his joys and sorrows. He must present the public with the reality of a being who for him is only a fiction. With his own eyes, he must shed the tears of the other. With his own voice, he must groan the anguish of the other. His own heart beats as if it would burst, for it is the other's heart that beats in his heart. And when he retires from a tragic or dramatic scene, if he has properly rendered his character, he must be panting and exhausted.
Sarah Bernhardt
Albee, Edward
Albers, Joseph
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