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Ever since 1953, when Russell Kirk produced its intellectual coat of arms, conservatism has been "what Edmund Burke wrote." This is the equivalent of Arthur Danto’s institutional theory of art—art is whatever the art world says it is. But it’s also a cop-out. Instead of analyzing conservatism in an Aristotelian way, instead of asking how we use the term in real life, we just describe Burke. In the process, don’t we risk fleeing into what Tanenhaus calls an "alternative universe"? If conservatives are "glaringly disconnected from the realities now besetting America," as Tanenhaus says, why is the solution to be more like a man who wore a powdered wig? Liberals have problems of their own, but, to their credit, they don’t sit around debating whether Hillary Clinton or John Edwards is the "real Rousseauian."
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Mark Riebling, "Conservatism Turned Upside Down: Sam Tanenhaus' Critique of Conservative Reason," City Journal (October 16, 2009). Full essay online

 

Edmund Burke

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On the bus going home I heard a most fascinating conversation between an old man and woman. "What a thing, though," the old woman said. "You'd hardly credit it." "She's always made a fuss of the whole family, but never me," the old man said. "Does she have a fire when the young people go to see her?" "Fire?" "She won't get people seeing her without warmth." "I know why she's doing it. Don't think I don't," the old man said. "My sister she said to me, 'I wish I had your easy life.' Now that upset me. I was upset by the way she phrased herself. 'Don't talk to me like that,' I said. 'I've only got to get on the phone and ring a certain number,' I said, 'to have you stopped.'" "Yes," the old woman said, "And you can, can't you?" "Were they always the same?" she said. "When you was a child? Can you throw yourself back? How was they years ago?" "The same," the old man said. "Wicked, isn't it?" the old woman said. "Take care, now" she said, as the old man left her. He didn't say a word but got off the bus looking disgruntled.

 

Joe Orton

 

"Do you promise you won't hurt me?" asked Arthur.
"You will be safe from all harm for the space of a quarter hour, as measured by this clock," replied the Old One. "You are mortal enough that I would not slay you like a wandering cockroach, or a Denizen of the House."
"Thanks," said Arthur. "I think."

 

Garth Nix

 

...the problem lies in Chomsky's description of Serb atrocities as "quite real" and "often ghastly". "Quite real ' is a cop-out for very real. Atrocities "sharply escalated" after Nato's bombardment, he says, but does not explain what these were: mass executions, rape, torture. The index refers to "atrocities" in Africa, Columbia, East Timor and Turkey without the appearance of "Serbia".

 

Noam Chomsky

 

"You want a pig," said Roger, "like in a real hunt."
"Or someone to pretend," said Jack. "You could get someone to dress up as a pig and then he could act — you know, pretend to knock me over and all that —"
"You want a real pig," said Robert, still caressing his rump, "because you've got to kill him."
"Use a littlun," said Jack, and everybody laughed.

 

William Golding

 

The Pythagoreans called the monad "intellect" because they thought that intellect was akin to the One; for among the virtues, they likened the monad to moral wisdom; for what is correct is one. And they called it "being," "cause of truth," "simple," "paradigm," "order," "concord," "what is equal among the greater and the lesser," "the mean between intensity and slackness," "moderation in plurality," "the instant now in time," and moreover they call it "ship," "chariot," "friend," "life," "happiness."

 

Iamblichus of Chalcis