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I know how to tell a story, but there’s a deeper thing I’m trying to get to now that can’t be expressed with a caption.
--
Chronogram (May 2006)

 

Doug Menuez

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Correct me if I'm wrong here, but truth is something that arises out of the relationship between language and the world. If I look at a picture alone, it tells me nothing. In the previous incarnation of this lecture, I was going to put a picture of the Titanic and the Lusitania up on the screen. They look very, very similar - four smokestacks. They look almost identical. You look at either picture, true or false? Neither. Put a caption at the bottom of one of them, that changes everything. If you put in the caption, "This is the Lusitania," and the picture is a picture of the Lusitania, then the caption is true. However, the picture itself is neither true nor false. It's just a picture.

 

Errol Morris

 

The story of English literature, viewed aesthetically, is one thing; the story of English writers is quite another. The price of contributing to the greatest literature the world has ever seen is often struggle and penury: art is still too often its own reward. It is salutary sometimes to think of the early deaths of Keats, Shelley, Byron, Chatterton, Dylan Thomas, of the Grub Street struggles of Dr. Johnson, the despair of Gissing and Francis Thompson. That so many writers have been prepared to accept a kind of martyrdom is the best tribute that flesh can pay to the living spirit of man as expressed in his literature. One cannot doubt that the martyrdom will continue to be gladly embraced. To some of us, the wresting of beauty out of language is the only thing in the world that matters.

 

Anthony Burgess

 

The incredible thing happens at the beginning of the story always, you notice, not the end. A Sherlock Holmes story is never a trick story.

 

Rex Stout

 

We are in the grip of some kind of an attractor, and when we look back at history, we can have a sense, I think, that we have never been here before. But we are so accustomed to causal thought, that we assume we have been pushed here, pushed here by historical necessity, by bad political decisions, by the vicissitudes of evolution (cultural and otherwise). I don’t think so. I think we have been pulled here, that we are under the aegis of a kind of an attractor. Some people would call it a “destiny”, but what it is is a dream that is pulling us deeper and deeper into the adventure of existential becoming. And faster and faster—that’s the other thing. Deeper and deeper, faster and faster, so that the rate of change that people were accustomed to before the Industrial Revolution, for example—we can barely conceive of such slow-moving, stately, meta-stable societies. On the other hand, within the 20th Century, the acceleration has been even more intense, and continues to accelerate.

 

Terence McKenna

 

For when we are interested in the beauty of a thing, the oftener we can see it the better; but when we are interested only by the story of a thing, we get tired of hearing the same tale told over and over again, and stopping always at the same point — we want a new story presently, a newer and better one — and the picture of the day, and novel of the day, become as ephemeral as the coiffure or the bonnet of the day. Now this spirit is wholly adverse to the existence of any lovely art. If you mean to throw it aside to-morrow, you can never have it to-day.

 

John Ruskin