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Dorothy Parker

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And it is that word 'hummy,' my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader fwowed up.
--
Her "Constant Reader" book review of The House at Pooh Corner by A. A. Milne, in The New Yorker (20 October 1928)

 
Dorothy Parker

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We've got to take the neighborhood back. We've got to go in there. Just forget telling your child to go to the Peace Corps. It's right around the corner. It's standing on the corner. It can't speak English. It doesn't want to speak English. I can't even talk the way these people talk. "Why you ain't where you is go." I don't know who these people are. And I blamed the kid until I heard the mother talk. Then I heard the father talk. This is all in the house. You used to talk a certain way on the corner and you got into the house and switched to English. Everybody knows it's important to speak English except these knuckleheads. You can't land a plane with "why you ain't…". You can't be a doctor with that kind of crap coming out of your mouth. There is no Bible that has that kind of language. Where did these people get the idea that they're moving ahead on this? Well, they know they're not, they're just hanging out in the same place, five or six generations sitting in the projects when you're just supposed to stay there long enough to get a job and move out.

 
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In the theater, while you recognized that you were looking at a house, it was a house in quotation marks ... on screen, the quotation marks tend to be blotted out by the camera. The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes. It isn't easy to do in the theater, but it's twice as hard in film.

 
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"Shall I look too?" said Pooh, who was beginning to feel a little eleven o'clockish. And he found a small tin of condensed milk, and something seemed to tell him that Tiggers didn't like this, so he took it into a corner by itself, and went with it to see that nobody interrupted it.

 
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Piglet took Pooh's arm, in case Pooh was frightened.

 
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Night fell. I looked for a word like mine, a word to lean upon, a word to sustain me. And it seemed to me that I was going along groping my way as if expecting some one to come from round the corner and tell me everything.

 
Henri Barbusse
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