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His greatest achievement is in taking the fusty world of magic and dragging it by its faded velvet lapels into the 21st century. For in many ways Brown is an old-fashioned illusionist, something to which both his set – with its vaudeville atmosphere – and his patter attests, but, by giving his tricks the veneer of science and psychology, he makes them appeal to a modern, and supposedly more savvy, audience. – The Stage

 

Derren Brown

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Yet what makes the show what it is - a truly mesmerising theatrical event that should live forever in the memory - is the magic and the variety, speed and dexterity with which Brown performs it. Looking around the auditorium of this sold-out theatre, with everyone on their feet at the show’s climax, it’s probably the most fun they’re likely to have this year. Derren Brown is simply astonishing to witness on stage. – The Stage

 

Derren Brown

 

Religion is the reaction of human nature to its search for God. The presentation of God under the aspect of power awakens every modern instinct of critical reaction. This is fatal; for religion collapses unless its main positions command immediacy of assent. In this respect the old phraseology is at variance with the psychology of modern civilisations. This change in psychology is largely due to science, and is one of the chief ways in which the advance of science has weakened the hold of the old religious forms of expression.

 

Alfred North Whitehead

 

Douglas Brown: Dr Banda, what is the purpose of your visit?
Hastings Banda: Well, I've been asked by the Secretary of State to come here.
Brown: Have you come here to ask the Secretary of State a firm date for Nyasaland's independence?
Banda: I won't tell you that.
Brown: When do you hope to get independence?
Banda: I won't tell you that.
Brown: Dr Banda, when you get independence, are you as determined as ever to break away from the Central African Federation?
Banda: Need you ask me that question at this stage?
Brown: Well, this stage is as good as any other stage. Why do you ask me why I shouldn't ask you this question at this stage?
Banda: Haven't I said that enough for everybody to be convinced that I mean just that?
Brown: Dr Banda, if you break with the Central African Federation, how will you make out economically? After all, your country isn't really a rich country.
Banda: Don't ask me that, leave that to me.
Brown: In which way is your mind working?
Banda: Which way? I won't tell you that.
Brown: Where do you hope to get economic aid from?
Banda: I won't tell you that.
Brown: Are you going to tell me anything?
Banda: Nothing.
Brown: Are you going to tell me why you've been to Portugal?
Banda: That's my business.
Brown: In fact you're going to tell me nothing at all.
Banda: Nothing at all.
Brown: So it's a singularly fruitless interview?
Banda: Well, it's up to you.
Brown: Thank you very much.

 

Hastings Banda

 

Had Shakspeare and Milton lived in the atmosphere of modern feeling, had they had the multitude of new thoughts and feelings to deal with a modern has, I think it likely the style of each would have been far less curious and exquisite. For in a man style is the saying in the best way what you have to say. The what you have to say depends on your age. In the 17th century it was a smaller harvest than now, and sooner to be reaped; and therefore to its reaper was left time to stow it more finely and curiously. Still more was this the case in the ancient world. The poet's matter being the hitherto experience of the world, and his own, increases with every century.

 

Matthew Arnold

 

Chris has an amazing ability to get the crowd going and get everyone singing along, ... He tries to make them feel very much that they're contributing to the atmosphere of the place. I think if you can make people feel involved like that, then it makes for a better experience for the audience and for us on stage.

 

Guy Berryman