The Ouija board is a really interesting phenomenon. It works by something called idiomotor suggestion. You do actually push the glass yourself you just have no awareness of doing it.
Derren Brown
Put a lot of paint & a wooden ball or other object on a board. Push to the other end of the board. Use this in a painting. – ruler on board.
Jasper Johns
Art is the magic mirror you make to reflect your invisible dreams in visible pictures. You use a glass mirror to see your face: you use works of art to see your soul. But we who are older use neither glass mirrors nor works of art. We have a direct sense of life. When you gain that you will put aside your mirrors and statues, your toys and your dolls.
George Bernard Shaw
Shake (shift) parts of some of the letters in Voice (2). A-not-complete-unit, or a new unit. The elements in the 3 parts should neither fit nor not fit together. One would like not to be led. Avoid the idea of a puzzle which could be solved. Remove the signs of “thought.” It is not the “thought” which needs showing.. ..It is not interesting and should not be shown (to be) as interesting that the parts can be shifted. It was always true that they can be shifted. 'Duchamp's ironing board'. Does Teeny Duchamp have an ironing board?
Jasper Johns
In tai chi chuan there is basic standing push hands, forward-backward push hands, d? l? and nine palace push hands, etc. In his later years, my older brother, Wu Kung-i (Wu Gongyi), created new techniques in applications. ... The d? l? method of stepping is also called ‘eight gates and five steps’ (b? mén w? b?).
Wu Kung-tsao
A line cannot control pictorial space absolutely. A line may flow freely in and out space, but cannot independently create the phenomenon of push and pull necessary to plastic creation. Push and pull are expanding and contracting forces which are activated by carriers in visual motion. Planes are the most important carriers, lines and points less so ... the picture plane reacts automatically in the opposite direction to the stimulus received; thus action continues as long as it receives stimulus in the creative process. Push answers with pull and pull with push. ... At the end of his life and the height of his capacity Cézanne understood color as a force of push and pull. In his pictures he created an enormous sense of volume, breathing, pulsating, expanding, contracting through his use of colors.
Hans Hofmann
Brown, Derren
Brown, Earle
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