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(talking about Marv Albert) Marv, Marv, Marv, Marv, Marv, Marv, Marv. This is God, what the HELL were you thinking?!?

 

Denis Leary

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His eyes had death in them, his and mine. His belly was bloated and I could smell the stench of a festering wound, the sickening odor of old blood impregnated into cloth. There was a wildness in his face and his mouth was a tight slash that showed all his teeth. Marv Kania was young, but right there he was as old as death itself.

 

Mickey Spillane

 

At the Dallas Fantasy Fair, during a panel discussion Byrne made unflattering comments about a number of industry figures, including Gene Colan, Lynn Graeme, Marv Wolfman, Len Wein, and Roy Thomas. After a transcript of the panel was published in The Comics Journal #75 (September 1982), Thomas threatened a libel suit if Byrne did not apologize. In a letter printed in TCJ #82 (July 1983), Byrne retracted his statements. He claimed he was only repeating information from Wolfman and Wein and wrote “I acted only in the office of a parrot.”

 

John Byrne

 

Byrne has developed a noticeable online presence, with his own website and forum, on which he is a participant and moderator, and a column, titled “In My Humble Opinion” [sic], which has run at both Slush Factory and UGO.online. His comments and statements, both online, and through the years in print, have gained Byrne a reputation as a controversial figure. Whilst noted as “one of if not the most longstanding and prolific writer/artist in comics today”. Byrne has also gained a reputation for engaging in feuding with other comic book creators, being accused of getting into such conflicts with Peter David, Jim Shooter, Joe Quesada, Mark Evanier, and Marv Wolfman, whilst in 2003, Byrne and Erik Larsen got into an argument, which saw Byrne claiming, “You can tell when Erik is saying something stupid—his lips move” and Larsen calling Byrne “a habitual liar.” Rich Johnston has noted the feud as ending with Byrne issuing a “non-apology apology”.

 

John Byrne

 

Shirley Manson: "I turned round and it's Madonna, and I'm thinking, 'F**king hell, it's Madonna!' But I say 'hi' and she grabs my hand and she gives me the famous blink and says, 'I think you're amazing' in that tiny voice she has. And I'm thinking, 'OK, try and be cool, this is possibly the biggest pop icon of our life, be cool'. I tried to say something even remotely understandable and instead just garbled my words. I had high heels on and I hardly ever wear high heels, and I lurched towards her, and I could see the alarm on her face, thinking 'who the hell is this?' And I lurched off flustered without even saying goodbye. I always blow my big moments"

 

Madonna Ciccone

 

Shirley Manson: "I turned round and it's Madonna, and I'm thinking, 'F**king hell, it's Madonna!' But I say 'hi' and she grabs my hand and she gives me the famous blink and says, 'I think you're amazing' in that tiny voice she has. And I'm thinking, 'OK, try and be cool, this is possibly the biggest pop icon of our life, be cool'. I tried to say something even remotely understandable and instead just garbled my words. I had high heels on and I hardly ever wear high heels, and I lurched towards her, and I could see the alarm on her face, thinking 'who the hell is this?' And I lurched off flustered without even saying goodbye. I always blow my big moments"

 

Madonna