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What is this world of ours? A complex entity subject to sudden changes which all indicate a tendency to destruction; a swift succession of beings which follow one another, assert themselves and disappear; a fleeting symmetry; a momentary order.
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Dying words of Nicholas Saunderson as portrayed in Lettre sur les aveugles [Letter on the Blind] (1749)

 

Denis Diderot

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What is this world? A complex whole, subject to endless revolutions. All these revolutions show a continual tendency to destruction; a swift succession of beings who follow one another, press forward, and vanish; a fleeting symmetry; the order of a moment. I reproached you just now with estimating the perfection of things by your own capacity; and I might accuse you here of measuring its duration by the length of your own days. You judge of the continuous existence of the world, as an ephemeral insect might judge of yours. The world is eternal for you, as you are eternal to the being that lives but for one instant. Yet the insect is the more reasonable of the two. For what a prodigious succession of ephemeral generations attests your eternity! What an immeasurable tradition! Yet shall we all pass away, without the possibility of assigning either the real extension that we filled in space, or the precise time that we shall have endured. Time, matter, space—all, it may be, are no more than a point.

 

Denis Diderot

 

The crisis at the heart of Parmenides' argument, "is or is not," rules out any candidate for an ultimate entity in an explanation of what there is that is subject to coming-to-be, passing-away, or alteration of any sort. Such an entity must be a whole, complete, unchanging unity: it must be a thing that is of a single kind ... But it does not follow from this that there can be only one such entity. Parmenides' arguments allow for a plurality of fundamental, predicationally unified entities that can be used to explain the world reported by the senses.

 

Parmenides

 

Even if I erase all your memory, still you will be here. Yes? Your family will disappear, your status will disappear, your business will disappear, everything that you own in the world will disappear. But still you are here. So beyond all the things that you identify yourself with, still there is something called as 'you'. That 'you' is not subject to what you accumulate from outside. But unfortunately that 'you' has been so much covered, so much crowded with other things that you never allowed yourself to look at that. You always thought that what you are identified with is much more important than who you really are. Now if your focus shifts, then the other dimension can start opening up for you.

 

Jaggi Vasudev

 

To us art is an adventure into an unknown world, which can be explored only by those willing to take the risks.
2. This world of imagination is fancy-free and violently opposed to common sense.
3. It is our function as artists to make the spectator see the world our way not his way.
4. We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
5. It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. (Rothko said this is the essence of academicism.)
6. There is no such thing as a good painting about nothing.
7. We assert that the subject is crucial and only that subject matter is valid which is tragic and timeless. That is why we profess spiritual kinship with primitive and archaic art.

 

Adolph Gottlieb

 

Obedient to the primary impulse of adequate expression, the style of a complex subject should be complex; of a technical subject, technical; of an abstract subject, abstract; of a familiar subject, familiar; of a pictorial subject, picturesque.

 

George Henry Lewes