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What kind of man takes a live bomb across the seas in order to blow up other people? People who have mothers and lovers and children, just like him?
Probably either a professional or a patriot, Alex thought. Or, worse, both.
--
Part IX (p. 524)

 

David Brin

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I remember it so clearly —
how people, seeing me, would break off in midword.
Laughter died.
Lovers' hands unclasped.
Children ran to their mothers.
I didn't even know their short-lived names.
And that song about a little green leaf —
no one ever finished it near me.

 

Wislawa Szymborska

 

There is no doubt that people are angry. When a family is hit by a bomb and I am the president here with the responsibility -- when a suicide bomb takes places and murders the people of this nation -- I am the president of this country and it is my responsibility to bring peace to these people.

 

Hamid Karzai

 

Archimedes said, "Give me a fulcrum and I will move the Earth"; but there isn't one. It is like betting on the future of the human race — I might wish to lay a bet that the human race would destroy itself by the year 2000, but there is nowhere to place the bet. On the contrary, I am involved in the world and must try to see that it does not blow itself to pieces. I once had a terrible argument with Margaret Mead. She was holding forth one evening on the absolute horror of the atomic bomb, and how everybody should spring into action and abolish it, but she was getting so furious about it that I said to her: "You scare me because I think you are the kind of person who will push the button in order to get rid of the other people who were going to push it first." So she told me that I had no love for my future generations, that I had no responsibility for my children, and that I was a phony swami who believed in retreating from facts. But I maintained my position. As Robert Oppenheimer said a short while before he died, "It is perfectly obvious that the whole world is going to hell. The only possible chance that it might not is that we do not attempt to prevent it from doing so." You see, many of the troubles going on in the world right now are being supervised by people with very good intentions whose attempts are to keep things in order, to clean things up, to forbid this, and to prevent that. The more we try to put everything to rights, the more we make fantastic messes. Maybe that is the way it has got to be. Maybe I should not say anything at all about the folly of trying to put things to right but simply, on the principle of Blake, let the fool persist in his folly so that he will become wise.

 

Alan Watts

 

Why can't she say extremist Muslims rather than just Muslims? "If that'll make you happy. They slaughtered 3,000 people and I'm making unfair generalisations. I think we're even." Well, no, I don't think we're even, I begin to reply — and at this point I see a side of Ann Coulter that goes beyond the ludicrous opinions. I see someone who is not afraid to twist, distort, bully and lie in order to "win" her argument.
Before I can elaborate or finish my sentence, she's off again. "Oh no, you're right, a generalisation is so much worse than slaughtering 3,000 people." I'm not saying that, I say. "I can't go beyond that, an ethnic generalisation is worse than slaughter. That is the essence of liberalism, you really do believe that. You get a glass of wine in you and you spit it out. You heard it. Making an un-PC generalisation is worse than the attack of 9/11." I'm not saying that, I repeat. "Yes, you are, you just said it." Of course I don't think that, I start, before I'm cut off again. "Liar!"
The irony is that she claims to be above this kind of steamrolling. "The country is trapped in a political discourse that resembles professional wrestling," she has written. "Liberals are calling names while conservatives are trying to make arguments." But her view of what constitutes an argument seems to be a distinctly one-sided affair. I try again: "Do you think I have any point at all about..." I begin, but she interrupts again. "No!" She doesn't even know what my point was.

 

Ann Coulter

 

"I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian... But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever. Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian... Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time."

 

Jorge Luis Borges