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The only way it would work for me is if it was a full-length feature film directed by Joss Whedon or Tim Minear or David Greenwalt.
--
TV Guide interview, on becoming Angel again.

 

David Boreanaz

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When we first began, Ruth told us she had never written a screenplay. That was not a problem since I had never produced a feature film and Jim had never directed one.

 

Ismail Merchant

 

"I'm appearing in a new Working Title film. It's going to be my first big film and I'm really excited. The film itself will feature Simon Pegg, Jim Broadbent, Timothy Dalton and myself. Filming has just started."

 

Joseph McManners

 

Lafferty's first full-length work is an event. As with everything the man writes, the wind of imagination blows strongly, with the happy difference that in a novel he can reach full gale-force, Lafferty defies categorization; his work is unlike anyone else's. This is a great galloping madman of a novel, drenched in sound and color.

 

R. A. Lafferty

 

Sour Grapes is a comedy about things that aren't funny. It reminded me of Crash, an erotic thriller about things no one finds erotic. The big difference is that David Cronenberg, who made Crash, knew that people were not turned on by auto accidents. Larry David, who wrote and directed Sour Grapes, apparently thinks people are amused by cancer, accidental castration, racial stereotypes and bitter family feuds... The more I think of it, the more Sour Grapes really does resemble Crash (except that Crash was not a bad film). Both movies are like watching automobile accidents. Only one was intended to be.

 

Roger Ebert

 

I began my work as a film critic in 1967. I had not thought to be a film critic, and indeed had few firm career plans apart from vague notions that I might someday be a political columnist or a professor of English.
Robert Zonka, who was named the paper's feature editor the same day I was hired at the Chicago Sun-Times, became one of the best friends of a lifetime. One day in March 1967, he called me into a conference room, told me that Eleanor Keen, the paper's movie critic, was retiring, and that I was the new critic. I walked away in elation and disbelief, yet hardly suspected that this day would set the course for the rest of my life.

 

Roger Ebert