Cavafy has three principal concerns: love, art, and politics in the original Greek sense. ... As a witness, Cavafy is exceptionally honest. He neither bowdlerizes nor glamorizes nor giggles. The erotic world he depicts is one of casual pickups and short-lived affairs. Love, there, is rarely more than physical passion, and when tenderer emotions exist, they are almost always one-sided. At the same time, he refuses to pretend that his memories of sensual pleasure are unhappy or spoiled by feelings of guilt.
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W. H. Auden, "C. P. Cavafy," from Forewords and Afterwords (1973)Constantine P. Cavafy
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He wrote consistently but almost never published through traditional means. There is nothing more detrimental to art, he maintained, than succumbing to “how the public thinks and what it likes and what it will buy.” ... Whether Cavafy is describing an ancient political intrigue or an erotic encounter that occurred last week, his topic is the passage of time. ... Earlier translators have, to varying degrees, rightly emphasized the prosaic flatness of Cavafy’s language; the flatness is crucial to the emotional power of the poems, since it prevents their irony from seeming caustic, their longing from seeming nostalgic.
Constantine P. Cavafy
Even sticking to the higher plane of love, is it so very obvious that you can't love more than one person? We seem to manage it with parental love (parents are reproached if they don't at least pretend to love all their children equally), love of books, of food, of wine (love of Chateau Margaux does not preclude love of a fine Hock, and we don't feel unfaithful to the red when we dally with the white), love of composers, poets, holiday beaches, friends . . . why is erotic love the one exception that everybody instantly acknowledges without even thinking about it?
Richard Dawkins
Pretend what we may, the whole man within us is at work when we form our philosophical opinions. Intellect, will, taste, and passion co-operate just as they do in practical affairs; and lucky it is if the passion be not something as petty as a love of personal conquest over the philosopher across the way.
William James
You know, actually we have no love — that is a terrible thing to realize. Actually we have no love; we have sentiment; we have emotionality, sensuality, sexuality; we have remembrances of something which we have thought as love. But actually, brutally, we have no love. Because to have love means no violence, no fear, no competition, no ambition. If you had love you will never say, "This is my family." You may have a family and give them the best you can; but it will not be "your family" which is opposed to the world. If you love, if there is love, there is peace. If you loved, you would educate your child not to be a nationalist, not to have only a technical job and look after his own petty little affairs; you would have no nationality. There would be no divisions of religion, if you loved. But as these things actually exist — not theoretically, but brutally — in this ugly world, it shows that you have no love. Even the love of a mother for her child is not love. If the mother really loved her child, do you think the world would be like this? She would see that he had the right food, the right education, that he was sensitive, that he appreciated beauty, that he was not ambitious, greedy, envious. So the mother, however much she may think she loves her child, does not love the child. So we have not that love.
Jiddu Krishnamurti
Cavafy, Constantine P.
Cavallero, Ugo
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