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Clifford D. Simak

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The impulse patterns which carried creatures star to star were almost instantaneous, no matter what the distance.
He stood and thought about it and it still was hard, he admitted to himself, for a person to believe.
--
Ch. 12

 
Clifford D. Simak

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The Talisman could be operated only by certain beings with certain types of minds and something else besides (could it be, he wondered, with certain kinds of souls?). "Sensitives" was the word he had used in his mental translation of the term for these kinds of people, but once again, he could not be sure if the word came close to fitting. The Talisman was placed in the custody of the most capable, or the most efficient, or the most devoted (whichever it might be) of the galactic sensitives, who carried it from star to star in a sort of eternal progression. And on each planet the people came to make personal and individual contact with the spiritual force through the intervention and the agency of the Talisman and its custodian.
He found that he was shivering at the thought of it — the pure ecstasy of reaching out and touching the spirituality that flooded through the galaxy and, undoubtedly, through the universe. The assurance would be there, he thought, the assurance that life had a special place in the great scheme of existence, that one, no matter how small, how feeble, how insignificant, still did count for something in the vast sweep of space and time.

 
Clifford D. Simak
 

O star-built bridge, broad milky way!
O star-lit, stately, splendid span!
If but one star should cease to stay
And prop its shoulders to God's plan —
The man who lives for self, I say,
He lives for neither God nor man.

 
Joaquin Miller
 

When the debris settled on Ground Zero, it was found that two pieces of mangled girder still stood in the shape of a cross, and much wondering comment resulted. Since all architecture has always involved crossbeams, it would be surprising only if such a feature did not emerge. I admit that I would have been impressed if the wreckage had formed itself into a Star of David or a star or crescent, but there is no record of this ever having occurred anywhere, even in places where local people might have been impressed by it. (pp. 149–150)

 
Christopher Hitchens
 

The best of all of them is what happened when he played the Whisky in Los Angeles ... It was a very star-studded, Jack-and-Anjelica-and-Warren night. He was waiting for his dealer, to cop, intent on getting his shot of heroin before he went on. But he had no money. So he went to the VIP booths one at a time and explained the situation. He said, "Look, you're here to see me, and I can't go on until my dealer is here, and he's waiting to be paid, so give me some money so I can fix up, and then you'll get your show." He got more than enough money. He stood off to the side and shot up. The lights went down, the music went up, he stood onstage and collapsed. Without a note being sung. He'd OD'd in front of everyone. And had to be carried off.
I think that was one of his greatest shows ever ... It was so minimally perfect. It just says a very great deal.

 
Iggy Pop
 

Star Trek speaks to some basic human needs: that there is a tomorrow — it's not all going to be over with a big flash and a bomb; that the human race is improving; that we have things to be proud of as humans. No, ancient astronauts did not build the pyramids — human beings built them, because they're clever and they work hard. And Star Trek is about those things.

 
Gene Roddenberry
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