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If you think, from this prelude, that anything like a romance is preparing for you, reader, you never were more mistaken. Do you anticipate sentiment, and poetry, and reverie? Do you expect passion, and stimulus, and melodrama? Calm your expectations; reduce them to a lowly standard. Something real, cool and solid lies before you; something unromantic as Monday morning, when all who have work wake with the consciousness that they must rise and betake themselves thereto.
--
Ch. 1: Levitical

 

Charlotte Bronte

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In Poetry I have a few axioms, and you will see how far I am from their centre. I think Poetry should surprise by a fine excess and not by singularity — it should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance — Its touches of Beauty should never be halfway thereby making the reader breathless instead of content: the rise, the progress, the setting of imagery should like the Sun come natural to him — shine over him and set soberly although in magnificence leaving him in the luxury of twilight — but it is easier to think what Poetry should be than to write it — and this leads me on to another axiom. That if Poetry comes not as naturally as the leaves to a tree it had better not come at all.

 

John Keats

 

"Americans," she said, repeating for me something she told the American Enterprise Institute, "you have taught me this stupid word: cool. Cool, cool, cool! Coolness, coolness, you've got to be cool. Coolness! When I speak like I speak now, with passion, you smile and laugh at me! I've got passion. They've got passion. They have such passion and such guts that they are ready to die for it."

 

Oriana Fallaci

 

Do not flinch from experiences that might destroy your beliefs. The thought you cannot think controls you more than thoughts you speak aloud. Submit yourself to ordeals and test yourself in fire. Relinquish the emotion which rests upon a mistaken belief, and seek to feel fully that emotion which fits the facts. If the iron approaches your face, and you believe it is hot, and it is cool, the Way opposes your fear. If the iron approaches your face, and you believe it is cool, and it is hot, the Way opposes your calm. Evaluate your beliefs first and then arrive at your emotions. Let yourself say: “If the iron is hot, I desire to believe it is hot, and if it is cool, I desire to believe it is cool.”

 

Eliezer Yudkowsky

 

What had become of his dream of idylls, his gentle bookish romance? Vanished before a reality which smacked horribly of crude melodrama and possibly of sordid crime. His gorge rose at the picture, but a thought troubled him. Perhaps all romance in its hour of happening was rough and ugly like this, and only shone rosy in the retrospect. Was he being false to his deepest faith?

 

John Buchan

 

True courage…has so little to do with Anger, that there lies always the strongest Suspicion against it, where this Passion is highest. The true Courage is the cool and calm. The bravest of Men have the least of a brutal bullying Insolence; and in the very time of Danger are found the most serene, pleasant, and free. Rage, we know, can make a Coward forget himself and fight. But what is done in Fury, or Anger, can never be plac’d to the account of Courage.

 

Anthony Ashley-Cooper