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In chess so much depends on opening theory, so the champions before the last century did not know as much as I do and other players do about opening theory. So if you just brought them back from the dead they wouldn’t do well. They’d get bad openings. You cannot compare the playing strength, you can only talk about natural ability. Memorization is enormously powerful. Some kid of fourteen today, or even younger, could get an opening advantage against Capablanca, and especially against the players of the previous century, like Morphy and Steinitz. Maybe they would still be able to outplay the young kid of today. Or maybe not, because nowadays when you get the opening advantage not only do you get the opening advantage, you know how to play, they have so many examples of what to do from this position. It is really deadly, and that is why I don’t like chess any more.
--
Radio Interview, October 16 2006

 

Bobby Fischer

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For my friend said that he opened his intellect as the sun opens the fans of a palm tree, opening for opening's sake, opening infinitely for ever. But I said that I opened my intellect as I opened my mouth, in order to shut it again on something solid. I was doing it at the moment. And as I truly pointed out, it would look uncommonly silly if I went on opening my mouth infinitely, for ever and ever.

 

Gilbert Keith Chesterton

 

"A popularly held theory about Paul Morphy is that if he returned to the chess world today and played our best contemporary players, he would come out the loser. Nothing is further from the truth. In a set match, Morphy would beat anybody alive today... Morphy was perhaps the most accurate chess player who ever lived. He had complete sight of the board and never blundered, in spite of the fact that he played quite rapidly, rarely taking more than five minutes to decide a move. Perhaps his only weakness was in closed games like the Dutch Defense. But even then, he was usually victorious because of his resourcefulness." ~ Bobby Fischer

 

Paul Morphy

 

Morphy and Capablanca had enormous talent, they are two of my favorites. Steinitz was very great too. Alekhine was great, but I am not a big fan of his. Maybe it’s just my taste. I’ve studied his games a lot, but I much prefer Capablanca and Morphy. Alekhine had a rather heavy style, Capablanca was much more brilliant and talented, he had a real light touch. Everyone I’ve spoken to who saw Capablanca play still speak of him with awe. If you showed him any position he would instantly tell you the right move. When I used to go to the Manhattan Chess Club back in the fifties, I met a lot of old-timers there who knew Capablanca, because he used to come around to the Manhattan club in the forties — before he died in the early forties. They spoke about Capablanca with awe. I have never seen people speak about any chess player like that, before or since. Capablanca really was fantastic. But even he had his weaknesses, especially when you play over his games with his notes he would make idiotic statements like 'I played the rest of the game perfectly.' But then you play through the moves and it is not true at all. But the thing that was great about Capablanca was that he really spoke his mind, he said what he believed was true, he said what he felt.

 

Bobby Fischer

 

I love chess, and I didn't invent Fischerandom chess to destroy chess. I invented Fischerandom chess to keep chess going. Because I consider the old chess is dying, it really is dead. A lot of people come up with other rules of chess-type games, with 10x8 boards, new pieces, and all kinds of things. I'm really not interested in that. I want to keep the old chess flavor. I want to keep the old chess game. But just making a change so the starting positions are mixed, so it's not degenerated down to memorization and prearrangement like it is today.

 

Bobby Fischer

 

People ask, How did you get in there? What they really want to know is if they are likely to end up in there as well. I can't answer the real question. All I can tell them is, It's easy. Most people pass over incrementally, making a series of perforations in the membrane between here and there until an opening exists. And who can resist an opening?

 

Susanna Kaysen