I used to be a folk singer, but I was... dreadful. I had a voice like a goose farting in the fog.
Billy Connolly
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Each singer (of the so-called folk variety), is recognized as much from its characteristic sound, as from what they actually sing or play, and they manipulate tone colour with a virtuousity that owes nothing to either the classical, or the Tin Pan Alley tradition; one thinks, for example, of the voice of Elvis Presley, an expressive vehicle, shifting from high to low tones, groaning, sluring, and producing breathless changes of rhythm; to many listeners, the voice may have seemed crude, but its folk inmediately resided in its crudeness.
Elvis Presley
The voice is so melodious, and - of course, by accident, this glorious voice and musical sensibility was combined with this beautiful, sexual man and this very unconscious - or unselfconscious stage movements. Presley's registration, the breadth of his tone, listening to some of his records, you'd think you were listening to an opera singer. But…it's an opera singer with a deep connection to the blues.
Elvis Presley
A professional entertainer who allows himself to become known as a singer of folk songs is bound to have trouble with his conscience—provided, of course, that he possesses one. As a performing artist, he will pride himself on timing and other techniques designed to keep the audience in his control [...] his respect for genuine folklore reminds him that these changes, and these techniques, may give the audience a false picture of folk music.
Sam Hinton
Picture Lucille Ball and Tinkerbell engaged in a duet and you have an apt metaphor for the neo-folk singer Becky Stark, who suggests an impish fairy from a faraway land. Her eyes are wide, and her madcap stories full of exclamation points. She seems perpetually atwitter, at once ditzy and all knowing.
She’s the voice and the creative force behind the Los Angeles-based band Lavender Diamond, which just released its quixotic debut album, “Imagine Our Love.”Becky Stark
She sang as if she had the most beautiful voice in the world — and sang so beautifully that she might as well have had such a voice. Thus she moved opera back a century to the age of Viardot, the acting singer.
Maria Callas
Connolly, Billy
Connolly, Cyril
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