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... I had some suggestions [about fencing]. I thought that you could encourage surprise attacks. I thought that would be very good. I kind of liked the idea of arming one guy with a conventional sword but giving the other a pikestaff. My favourite was the idea of blindfolding one of the competitors or blindfolding them both and spinning them around a bit so they were a little bit unstable and then just pushing them towards each other. It would make each match go on a bit longer.

 

Bill Bryson

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The first thing I ever thought of when I thought of Buffy, the movie, was the little...blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise ... genre-busting is very much at the heart of both the movie and the series.

 

Joss Whedon

 

Your favourite virtue ... Simplicity
Your favourite virtue in man ... Strength
Your favourite virtue in woman ... Weakness
Your chief characteristic ... Singleness of purpose
Your idea of happiness ... To fight
Your idea of misery ... Submission
The vice you excuse most ... Gullibility
The vice you detest most ... Servility
Your aversion ... Martin Tupper
Favourite occupation ... Book-worming
Favourite poet ... Shakespeare, Aeschylus, Goethe
Favourite prose-writer ... Diderot
Favourite hero ... Spartacus, Kepler
Favourite heroine ... Gretchen [Heroine of Goethe's Faust]
Favourite flower ... Daphne
Favourite colour ... Red
Favourite name ... Laura, Jenny
Favourite dish ... Fish
Favourite maxim ... Nihil humani a me alienum puto [Nothing human is alien to me]
Favourite motto ... De omnibus dubitandum [Everything must be doubted].

 

Karl Marx

 

There is one feature I notice that is generally missing in "cargo cult science." It's a kind of scientific integrity, a principle of scientific thought that corresponds to a kind of utter honesty — a kind of leaning over backwards. For example, if you're doing an experiment, you should report everything that you think might make it invalid — not only what you think is right about it; other causes that could possibly explain your results; and things you thought of that you've eliminated by some other experiment, and how they worked — to make sure the other fellow can tell they have been eliminated.
Details that could throw doubt on your interpretation must be given, if you know them. You must do the best you can — if you know anything at all wrong, or possibly wrong — to explain it. If you make a theory, for example, and advertise it, or put it out, then you must also put down all the facts that disagree with it, as well as those that agree with it. There is also a more subtle problem. When you have put a lot of ideas together to make an elaborate theory, you want to make sure, when explaining what it fits, that those things it fits are not just the things that gave you the idea for the theory; but that the finished theory makes something else come out right, in addition.
In summary, the idea is to try to give all of the information to help others to judge the value of your contribution; not just the information that leads to judgment in one particular direction or another.

 

Richard Feynman

 

Fourthly the Wind book. This book is not concerned with my Ichi school but with other schools of strategy. By Wind I mean old traditions, present-day traditions, and family traditions of strategy. Thus I clearly explain the strategies of the world. This is tradition. It is difficult to know yourself if you do not know others. To all Ways there are side-tracks. If you study a Way daily, and your spirit diverges, you may think you are obeying a good way, but objectively it is not the true Way. If you are following the true Way and diverge a little, this will later become a large divergence. You must realise this. Other strategies have come to be thought of as mere sword-fencing, and it is not unreasonable that this should be so. The benefit of my strategy, although it includes sword-fencing, lies in a separate principle. I have explained what is commonly meant by strategy in other schools in the Wind book.

 

Miyamoto Musashi

 

To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That's what lasts. That's what continues to feed people and give them an idea of something better. A better state of one's feelings or simply the idea of a silence in one's self that allows one to think or to feel. Which to me is the same.

 

Susan Sontag