Sculpture is, in the twentieth century, a wide field of experience, with many facets of symbol and material and individual calligraphy. But in all these varied and exciting extensions of our experience we always come back tot the fact that we are human beings of such and such a size, biologically the same as primitive man, and that it is through drawing and observing, or observing and drawing, that we equate our bodies with our landscape.
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Studio International 171 – June 1966, p. 280Barbara Hepworth
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Starting from a drawing, a pure creation of the mind, I expand it in space by giving it three dimensions, by giving it a material body (in polystyrene, fh) and then enlarge it to the proportions of a site where it can evolve. In this way, instead of having only the drawing before you while remaining anchored in the everyday world, you can finally leave the world and penetrate into drawing, and thus inhabit the creation of the mind instead of merely looking at it prudently in a frame on the wall. The experience consists, therefore, in abstracting yourself totally from the natural everyday world in order to feed your eyes solely on your own mental elaborations.
Jean Dubuffet
I rather feel that painting is a form of drawing and the painting that I like has a form of drawing to it. I don’t see how it could be disassociated from the nature of drawing.. ..I find in many cases a drawing has been the subject of the painting – that would be a preliminary stage to that particular painting.. ..the painting can develop something that is not at all related to the drawing and have no particular mood about it at all; it’s just a cool kind of reality that has a series of involvements within it; and the pure excitement of those things happening within this form is enough for that particular panting..
Franz Kline
Yet actual physical size has an emotional meaning. We relate everything to our own size, and our emotional response to size is controlled by the fact that men on the average are between five and six feet high.. ..If practical considerations allowed me, cost of material, of transport, etc., I should like to work on large carvings more often than I do. The average in-between size does not disconnect an idea enough from prosaic everyday life. The very small or the very big (sculpture, fh) takes on an added size emotion.
Henry Moore
The Etch a Sketch is the toy for drawing that makes drawing almost impossible. It simulates what drawing would be like if you had crippling arthritis.
Jared Logan
Science aims at constructing a world which shall be symbolic of the world of commonplace experience. It is not at all necessary that every individual symbol that is used should represent something in common experience or even something explicable in terms of common experience. The man in the street is always making this demand for concrete explanation of the things referred to in science; but of necessity he must be disappointed. It is like our experience in learning to read. That which is written in a book is symbolic of a story in real life. The whole intention of the book is that ultimately a reader will identify some symbol, say BREAD, with one of the conceptions of familiar life. But it is mischievous to attempt such identifications prematurely, before the letters are strung into words and the words into sentences. The symbol A is not the counterpart of anything in familiar life.
Arthur Stanley Eddington
Hepworth, Barbara
Heraclitus
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