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To us Germans everything is religion. What we do we do not merely with our hands and brains, but with our hearts and souls. This has often become a tragic fate for us.
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Quoted in "The Face of the Third Reich: Portraits of the Nazi Leadership" - by Joachim C. Fest - History - 1999 - Page 220

 

Baldur von Schirach

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Dear Saviour! we are Thine,
By everlasting bands;
Our hearts, our souls, we would resign
Entirely to Thy hands.

 

Philip Doddridge

 

Here was irrefutable proof that he was using the Holocaust to speak of the extermination of animal life. Doomed creatures that could not speak for themselves were being given the voice of a most articulate people who had been similarly doomed. He was seeing the tragic fate of animals through the tragic fate of Jews. The Holocaust as allegory.

 

Yann Martel

 

What can you ever really know of other people's souls — of their temptations, their opportunities, their struggles? One soul in the whole of creation you do know: and it is the only one whose fate is placed in your hands. If there is a God, you are, in a sense, alone with Him. You cannot put Him off with speculation about your neighbours or memories of what you have read in books.

 

C. S. Lewis

 

This pride of race is a quality which the German, fundamentally, does not possess. The reason for this is that for these last three centuries the country has been torn by internal dissension and religious wars and has been subjected to a variety of foreign influences, to the influence, for example, of Christianity—for Christianity is not a natural religion for the Germans, but a religion that has been imported and which strikes no responsive chord in their hearts and is foreign to the inherent genius of the race. (13th February 1945)

 

Adolf Hitler

 

I found ancestors, like Shakespeare, who said, in Macbeth, that the world is full of sound and fury, a tale told by an idiot, signifying nothing. Macbeth is a victim of fate. So is Oedipus. But what happens to them is not absurd in the eyes of destiny, because destiny, or fate, has its own norms, its own morality, its own laws, which cannot be flouted with impunity. Oedipus sleeps with his Mummy, kills his Daddy, and breaks the laws of fate. He must pay for it by suffering. It is tragic and absurd, but at the same time it’s reassuring and comforting, since the idea is that if we don’t break destiny’s laws, we should be all right. Not so with our characters. They have no metaphysics, no order, no law. They are miserable and they don’t know why. They are puppets, undone. In short, they represent modern man. Their situation is not tragic, since it has no relation to a higher order. Instead, it’s ridiculous, laughable, and derisory.

 

Eugene Ionesco