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Aubrey Beardsley

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Pope has more virulence and less vehemence than any of the great satirists. His character of Sporus is the perfection of satirical writing. The very sound of words scarify before the sense strikes.
--
Table Talk" p. 64

 
Aubrey Beardsley

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Callas studied the text, the meaning of the words, and as a result, she became a diva. She became the Great Callas. Because she studied the character, she entered the mind of the character, and she brought the character to life onstage. Today, young singers don’t have this mindset. They don’t have the kind of technique that Callas had. ...Price, Milanov and Tebaldi had stupendous voices and great careers. [But] Callas, as a performer, as someone who expressed the real meaning of the words, was the best. The best. There is no doubt about this — not only for her sound, but because she studied so much. Callas is the diva. She is important to young singers, because she was a serious singer onstage, and she left a great legacy. I don’t know, though, if they can listen and learn from what she left on her recordings.

 
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We use the word God. God hooks all the other words up. I'm the pope. I'm ten times the pope. I'm sixty times the pope. But I'm the pope in the hills and in the mountains.

 
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Words fail me. When he stood up there at the bat before 50,000 persons, calling the balls and the strikes with gestures for the benefit of the Cubs in their dugout, and then with two strikes on him, pointed out where he was going to hit the next one and hit it there, I gave up. That fellow is not human.

 
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I suppose that I am a very serious poet – except for satirical verse, which I have also been compelled to write, though much of it may be inferior to my more serious poems – perhaps because I am not playful enough by nature, and even my satirical or polemical verse is not entertaining.

 
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