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Arthur Schopenhauer

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When the Church says that, in the dogmas of religion, reason is totally incompetent and blind, and its use to be reprehended, this really attests the fact that these dogmas are allegorical in their nature, and are not to be judged by the standard which reason, taking all things sensu proprio, can alone apply. Now the absurdities of a dogma are just the mark and sign of what is allegorical and mythical in it. In the case under consideration, however, the absurdities spring from the fact that two such heterogeneous doctrines as those of the Old and New Testaments had to be combined. The great allegory was of gradual growth. Suggested by external and adventitious circumstances, it was developed by the interpretation put upon them, an interpretation in quiet touch with certain deep-lying truths only half realised. The allegory was finally completed by Augustine, who penetrated deepest into its meaning, and so was able to conceive it as a systematic whole and supply its defects.
--
"The Christian System" in 'Religion : A Dialogue, and Other Essays (1910) as translated by Thomas Bailey Saunders, p. 105

 
Arthur Schopenhauer

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The bad thing about all religions is that, instead of being able to confess their allegorical nature, they have to conceal it; accordingly, they parade their doctrines in all seriousness as true sensu proprio, and as absurdities form an essential part of these doctrines we have the great mischief of a continual fraud. Nay, what is worse, the day arrives when they are no longer true sensu proprio, and then there is an end of them; so that, in that respect, it would be better to admit their allegorical nature at once. But the difficulty is to teach the multitude that something can be both true and untrue at the same time. Since all religions are in a greater or less degree of this nature, we must recognise the fact that mankind cannot get on without a certain amount of absurdity, that absurdity is an element in its existence, and illusion indispensable; as indeed other aspects of life testify.

 
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Philo of Alexandria introduced in the first century what has been described as the 'Hellenizing of the Old Testament,' or the allegorical method of exegesis. By this, as Erdmann observes, the Bible narrative was found to contain a deeper, and particularly an allegorical interpretation, in addition to its literal interpretation; this was not conscious disingenuousness but a natural mode of amalgamating the Greek philosophic with the Hebraic doctrines.

 
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This [fourth] theory likewise implies contradictions and absurdities. The absurdities are these: The fact that some persons are born with defects, although they have not sinned previously, is ascribed to the wisdom of God, it being better for those persons to be in such a condition than to be in a normal state, though we do not see why it is better; and they do not suffer thereby any punishment at all, but, on the contrary, enjoy God's goodness. In a similar manner the slaughter of the pious is explained as being for them the source of an increase in reward in future life. They go even further in their absurdities.

 
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Aristotle was guided by that which appears to be the nature of things. The Ashariyah refused to ascribe to God ignorance about anything... they preferred to admit the above-mentioned absurdities. The Mu'tazilites refused to assume that God does what is wrong and unjust; on the other hand, they would not contradict common sense and say that it was not wrong to inflict pain on the guiltless, or that the mission of the Prophets and the giving of the Law had no intelligible reason. They likewise preferred to admit the above-named absurdities. But they even contradicted themselves, because they believe on the one hand that God knows everything, and on the other that man has free will. By a little consideration we discover the contradiction.

 
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It is human love, not that of a god, which is glorified in the Song, and that with a wealth of detail, which rules out an allegorical interpretation.

 
Robert Gordis
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