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When I was on my way to the podium a gentleman stopped me and said I was as good a politician as I was an actor. What a cheap shot.

 

Arnold Schwarzenegger

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And [Twitter users] really shone when, during the Olympics, I said that "Own the podium" was too brash to be Canadian, and suggested "A podium might be nice." Their own variations poured onto a feed tagged #cpodium: "A podium! For me?" "Rent the podium, see if we like it." "Mind if I squeeze by you to get onto that podium?" I was so proud of them! It was like having 33,000 precocious grandchildren!

 

Margaret Atwood

 

Shammiji is said to be India's answer to Elvis Presley, but I say that Elvis Presley is America's answer to Shammi Kapoor. The mark of a good actor is the belief with which he gives a shot and Shammiji gave his each shot with a strong belief and that makes him a great actor of all times.

 

Aamir Khan

 

I try to avoid repetitions of any shot. It isn't easy to find one in my films. You might, I suppose, see something twice, but it would be rare. And then, you know, every line requires its own kind of shot. The American method of shooting one actor continuously, then moving to the other, then intercutting both — this method is wrong. A scene has to have a rhythm of its own, a structure of its own.

 

Michelangelo Antonioni

 

To be a gentleman does not depend upon the tailor or the toilet. Good clothes are not good habits. A gentleman is just a gentle-man, — no more, no less; a diamond polished, that was first a diamond in the rough.

 

William Croswell Doane

 

Proceeding on the assumption that the reader of this preface is interested in the development of my musical talent, I will try to explain, as concisely as I can, how, in this respect, my personal wheels go round. To begin with, I have only had two music lessons in my life. These were the first steps of what was to have been a full course at the Guildhall School of Music, and they faltered and stopped when I was told by my instructor that I could not use consecutive fifths. He went on to explain that a gentleman called Ebenezer Prout had announced many years ago that consecutive fifths were wrong and must in no circumstances be employed. At that time Ebenezer Prout was merely a name to me (as a matter of fact he still is, and a very funny one at that) and I was unimpressed by his Victorian dicta. I argued back that Debussy and Ravel had used consecutive fifths like mad. My instructor waved aside this triviality with a pudgy hand, and I left his presence forever with the parting shot that what was good enough for Debussy and Ravel was good enough for me. This outburst of rugged individualism deprived me of much valuable knowledge, and I have never deeply regretted it for a moment.

 

Noel Coward