"The moment there’s a foreigner in a film it gives a novelty to the script. We make regional films and we need to hype our films."
--
Tolly-ho! on The Telegraph, Calcutta(2008)Arin Paul
Originally I was content to just simply accept the money, that was offered when people had adapted my comic books into films. Eventually I decided to refuse to accept any of the money for the films, and to ask if my name could be taken off of them, so that I no longer had to endure the embarrasment of seeing my work travested in this manner. The first film that they made of my work was "From Hell" Which was an adaptation of my "Jack the Ripper" narrative … In which they replaced my gruff Dorset police constable with Johhny Depp's Absinthe-swigging dandy. The next film to be made from one of my books was the regrettable "League of Extraordinary Gentlemen"... Where the only resemblence it had to my book was a similar title. The most recent film that they have made of mine is apparently this new "V for Vendetta" movie which was probably the final straw between me and Hollywood. They were written to be impossible to reproduce in terms of cinema, and so why not leave them simply as a comic in the way that they were intended to be. And if you are going to make them into films, please try to make them into better ones, than the ones I have been cursed with thus far.
Alan Moore
It would be very unfair to compare "Black" with any other film. I can't do a role of a handicapped person. It'd look like a carryover of "Black". Every film is a new experience for me. I respect my work too much to act superior about other films. "Black" is a kind of film that comes once in a lifetime. Even Sanjay [Leela Bhansali] can't make it again.
Rani Mukerji
You read reviews by top reviewers of films that not only had remarkably interesting scores, but films whose effectiveness was absolutely enhanced, and frequently created by the music, yet the reviewers seem unaware that their emotions and their nervous reactions to the films have been affected by the scoring. This is a serious flaw. Any film reviewer owes it to himself, and the public, to take every element of the film into account
Jerry Goldsmith
Jack Cardiff once asked Powell "Michael, do you make films for all types of audiences, or just for yourself?" Michael shook his head vigorously. "I make films for myself. What I express I hope most people will understand. For the rest, well, that's their problem."
Michael Powell
I've done more films than these people. Why aren't I getting those scripts?' Because my films never get released. So OK, I do Sorted, because it's going to get released, and hate every minute of it. You know, I am ambitious, in the sense of, I will eat as much cardboard as I have to swallow, in order to get to a place where I can make a great script.
Sienna Guillory
Paul, Arin
Paul, Jean
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