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Anton Chekhov

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Despite your best efforts, you could not invent a better police force for literature than criticism and the author’s own conscience.
--
Letter to M.V. Kiseleva (January 14, 1887

 
Anton Chekhov

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When you invent the ship, you also invent the shipwreck; when you invent the plane you also invent the plane crash; and when you invent electricity, you invent electrocution... Every technology carries its own negativity, which is invented at the same time as technical progress.

 
Paul Virilio
 

Either criticism is no good at all (a very defensible position) or else criticism means saying about an author the very things that would have made him jump out of his boots.

 
Gilbert Keith Chesterton
 

How, precisely, do you define a police state? Is it the number of police per capita? How about the number of prisons? Police use of machine guns or armored personnel carriers? The use of the police or the military to put down strikes, or to otherwise "keep the trains running on time," as was Mussolini's specialty? Perhaps it's the use of the police or the military to halt civil unrest. Or maybe the widespread use of curfews. Arbitrary confiscation of private property. How about this: could a police state be defined, as in Nazi Germany, by the use of force to segregate members of a specific race into concentration camps or prisons?

 
Derrick Jensen
 

All passion is lost now. The world is mediocre, limp, without force. And madness and despair are a force. And force is a crime in the eyes of the fools, the weak and the silly who rule the roost. You are mediocre. Verloc, whose affair the police has managed to smother so nicely, was mediocre. And the police murdered him. He was mediocre. Everybody is mediocre. Madness and despair! Give me that for a lever, and I'll move the world. Ossipon, you have my cordial scorn. You are incapable of conceiving even what the fat-fed citizen would call a crime. You have no force.

 
Joseph Conrad
 

Thus it has come about that our theoretical and critical literature, instead of giving plain, straightforward arguments in which the author at least always knows what he is saying and the reader what he is reading, is crammed with jargon, ending at obscure crossroads where the author loses its readers. Sometimes these books are even worse: they are just hollow shells. The author himself no longer knows just what he is thinking and soothes himself with obscure ideas which would not satisfy him if expressed in plain speech.

 
Carl von Clausewitz
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