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Andre Malraux

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Malraux offers a revolutionary understanding of the nature and significance of art and, in doing so, also provides a glimpse of a new humanism — a “tragic humanism” to borrow his own phrase — which, unlike the optimistic idealisms inherited from the nineteenth century, is compatible with the agnosticism and disenchantment of the world in which we now live.
--
Derek Allan, in Art and the Human Adventure: André Malraux’s Theory of Art (2009)

 
Andre Malraux

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The definitions of humanism are many, but let us here take it to be the attitude of those men who think it an advantage to live in society, and, at that, in a complex and highly developed society, and who believe that man fulfills his nature and reaches his proper stature in this circumstance. The personal virtues which humanism cherishes are intelligence, amenity, and tolerance; the particular courage it asks for is that which is exercised in the support of these virtues. The qualities of intelligence which it chiefly prizes are modulation and flexibility.

 
Lionel Trilling
 

At its deepest level, Malraux’s thinking about art is inseparable from an understanding of the significance of man, and especially man in contemporary, agnostic, Western, and Westernised, cultures. There is no question of art as a substitute religion, and Malraux draws a sharp distinction between the function of art and the function of an absolute. There is unmistakably, however, an insistence on the profound human importance of art, especially today in civilizations bereft of any fundamental value.

 
Andre Malraux
 

There were experiences in previous centuries which might well have challenged this unqualified optimism. But the expansion of man's power over nature proceeded at such a pace that all doubts were quieted, allowing the nineteenth century to become the “century of hope” and to express the modern mood in its most extravagant terms. History, refusing to move by the calendar, actually permitted the nineteenth century to indulge its illusions into the twentieth. Then came the deluge. Since 1914 one tragic experience has followed another, as if history had been designed to refute the vain delusions of modern man.

 
Reinhold Niebuhr
 

The aspects of society that humanism most exalts are justice and continuity. That is why humanism is always being presented with a contradiction. For when it speaks of justice it holds that the human condition is absolute; yet when it speaks of continuity it implies that society is not absolute but pragmatic and even anomalous. Its intelligence dictates the removal of all that is anomalous; yet its ideal of social continuity is validated by by its perception that the effort to destroy anomaly out of hand will probably bring new and even worse anomalies, the nature of man being what it is. "Let justice be done though the heavens fall" is balanced by awareness that after the heavens fall justice will not ever be done again.

 
Lionel Trilling
 

What should a society be, so that in his last years a man might still be a man?
The answer is simple: he would always have to have been treated as a man. By the fate that it allots to its members who can no longer work, society gives itself away — it has always looked upon them as so much material. Society confesses that as far as it is concerned, profit is the only thing that counts, and that its "humanism" is mere window-dressing. In the nineteenth century the ruling classes explicitly equated the proletariat with barbarism. The struggles of the workers succeeded in making the proletariat part of mankind once more. But only in so far as it is productive. Society turns away from the aged worker as though he belonged to another species. That is why the whole question is buried in a conspiracy of silence.

 
Simone De Beauvoir
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