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I say that the eye is not open when it is limited to the passive role of a mirror – even if the water of that mirror offers some interesting peculiarities… …that eye impresses me as no less dead than the eye of a slaughtered steer if it has only the capacity to reflect – what if it reflects the object in one or in many aspects, in repose or in motion, in waking or in dream? The treasure of the eye is elsewhere! Most artists are still for tuning around the hands of the clock… …without having the slightest concern for the spring hidden in the opaque case. The eye-spring… …Arshile Gorky – for me the first painter to whom the secret have been completely revealed.
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Introduction to the exhibition of Gorky’s first show, Julien Levy Gallery, March 1945; as quoted in “Arshile Gorky, – Goats on the roof”, ed. by Matthew Spender, Ridinghouse, London, 2009, pp. 257-258

 

Andre Breton

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Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes. But at present even the handling of a hammer is taught with the help of a mirror, a sensitive film that records all the movements. Photography and motion-picture photography, owing to their passive accuracy of depiction, are becoming important educational instruments in the field of labor. If one cannot get along without a mirror, even in shaving oneself, how can one resconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.

 

Leon Trotsky

 

The One true God may be compared unto the sun and the believer unto a mirror. No sooner is the mirror placed before the sun than it reflects its light. The unbeliever may be likened unto a stone. No matter how long it is exposed to the sunshine, it cannot reflect the sun.

 

Bab

 

What has to die will die, and what has to remain will remain. Supposing you dig a well and the water dries up. Just because the well went dry, you cannot say that there is no water there. You cannot say that the spring is dead, for if you dig down one more foot, water will again spring up. If people will only dig a little deeper, they will find the water there. Of course, they can say, “There is no water in the well any more,” and go away. But those who have real thirst will dig a little deeper, and they will find water there. What is will always be. That which dies is dead and gone, but that which is will always be.

 

Bawa Muhaiyaddeen

 

He wanted to make a mirror. Glass, mercury and a wooden frame- the perfect mirror. But he was no good at it. So he went to the people he knew and asked them for a mirror. All they could give him were bits of old mirror. He took these home, stuck them on a board and hung it up. It's a mirror.

 

Michael Rosen

 

We were devastated. We spent the whole day — Amy Gilliam, Nicola Pecorini, the director of photography, and myself — lying flat on the floor. Heath Ledger's dead, and you don't quite get over that. I suppose I'm in an interesting position because while I'm cutting the film I'm basically working with him every day and he's fine; he's in good shape. Ideas are floating around. Then finally we decided, 'OK, let's get three other people to take over the part'. And we were lucky because we have a magic mirror in this movie. Not every movie has a magic mirror. So you can very genuinely say that these other actors are different aspects of the character that Heath plays. And it works. The point was, we've got to keep going. It was a bit like half being there, but apparently on autopilot I can still do a few things.

 

Terry Gilliam