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I wanted to look young in this role, it was a needed thing. She’s 14. This role I really needed to feel 14, I had to be 14 in every way possible, so I hung out with my 14 year-old cousin for a month. She had a retainer and pigtails and all that. There’s something in their eyes, between age 10 and 15 I think, it’s just that sort of ‘anything is possible’ look. For me, the most beautiful thing you could ever see is like a child’s eyes. I wanted to really make sure that I captured her spirit, that youthful spirit. For me it’s all about dreaming. What does she look like when she walks? What’s the look in her eye? It’s not about, ‘Oh, on this move, I’m going to put my arm like that.’ It’s just the whole spirit, so that any way that I would move would be right.
--
On her role in Matchstick Men

 

Alison Lohman

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The Holy Spirit! This is the Spirit's role: to bring Christ's work to fulfillment. Enriched with the Spirit's gifts, you will have the power to move beyond the piecemeal, the hollow utopia, the fleeting, to offer the consistency and certainty of Christian witness!

 

Benedict XVI (Pope)

 

You can’t make a sculpture, in my opinion, without involving your body. You move and you feel and you breathe and you touch. The spectator is the same. His body is involved too. If it’s a sculpture he has to first of all sense gravity. He’s got two feet. Then he must walk and move and use his eyes and this is a great involvement. Then if a form goes in like that – what are those holes for? One is physically involved and this is sculpture. It’s not architecture. It’s rhythm and dance and everything. It’s do with swimming and movement and air and sea and all our well-being… …Sculpture is involved in the body living in the spirit or the spirit living in the body, whichever way you like to put it.

 

Barbara Hepworth

 

I think my business is about people making you feel self-conscious. All eyeballs are on you when you're a model, when you're on the runway or in front of the camera, you're always looked up and down and back up, so that comes with the territory. But at the end of the day I feel like my parents gave me a good solid foundation. I know who I am and there are things I wouldn't do. I wouldn't starve myself, I also never wanted to chop my hair off when people said I should do this and I should do that. And I always knew who I was and said they're going to book me like this or not book me. I don't want to be a role model because I'm just a person too, so I can have mistakes and some people don't like what I do. People always push this role model thing on you. I just want to be a good role model for my children.

 

Heidi Klum

 

I think that you have to do whatever feels good for you. As a woman, you should feel glamorous, beautiful and confident. You should be unique. For me, if something doesn't move you in that direction, then why do it? I have considered doing Playboy. I have had offers on the table many times. But then, it has to work the way I want it to. I mean, I have no problem being naked at all — I come from a place where I am used to running around naked. But you still have to feel confident and beautiful about it, and I had a checklist of how I wanted certain things and they wanted other things, so in the end, we didn't agree.

 

Heidi Klum

 

I wanted to know the secret of life. I had seen men, groups, deeds, faces. In the twilight I had seen the tremulous eyes of beings as deep as wells. I had seen the mouth that said in a burst of glory, "I am more sensitive than others." I had seen the struggle to love and make one's self understood, the refusal of two persons in conversation to give themselves to each other, the coming together of two lovers, the lovers with an infectious smile, who are lovers in name only, who bury themselves in kisses, who press wound to wound to cure themselves, between whom there is really no attachment, and who, in spite of their ecstasy deriving light from shadow, are strangers as much as the sun and the moon are strangers. I had heard those who could find no crumb of peace except in the confession of their shameful misery, and I had seen faces pale and red-eyed from crying. I wanted to grasp it all at the same time. All the truths taken together make only one truth. I had had to wait until that day to learn this simple thing. It was this truth of truths which I needed.
Not because of my love of mankind. It is not true that we love mankind. No one ever has loved, does love, or will love mankind. It was for myself, solely for myself, that I sought to attain the full truth, which is above emotion, above peace, even above life, like a sort of death. I wanted to derive guidance from it, a faith. I wanted to use it for my own good.

 

Henri Barbusse