We turn our backs on nature; we are ashamed of beauty. Our wretched tragedies have a smell of the office clinging to them, and the blood that trickles from them is the color of printer's ink.
--
"Helen's Exile" (1948)Albert Camus
When four rowers are in a boat, with their backs to the bow, their simple office is to pull the oars. The steersman's office is to look ahead and work the helm. The moment that the rower turns steersman, and tries to look over his shoulder or outpull his fellow oarsman, the boat loses headway. So you and I are placed with our backs to the future. In our hands are the oars of Christian endeavor. Let God steer the boat, and let us attend to the oars.
Theodore L. Cuyler
Dark green is my favorite color. It's the color of nature and the color of money and the color of moss!
Leonardo DiCaprio
My old lip color could barely keep up with my busy schedule. In the time it takes to notice the wide discrepancy between my salary and that of my male peers, I'd have to reapply! In the seconds to count the number of women in high political office, seated on corporate executive boards and featured in film and television over the age of 40, my lip color would be as invisible as this glass ceiling only inches above my head! L'Oreal. Because I am worth it. And because holding myself to an impossible standard of beauty keeps me from starting a riot!
Maria Bamford
The root objection to the pact is the nature of the Labour Party. It is not liberal. It is not becoming more liberal. The social democrats remain ineffective, or sneak off, after preaching equality to everyone else, to some of the highest-paid jobs open to the British. As a final spectacle of degradation, they are to be seen intimidating the Grunwick workers...The Labour Party remains without principle, clinging to office, paid by the trades unions, and with an anti-democratic Marxist wing. The pact, I fear, is having no effect on the nature of that party.
Jo Grimond
I make a little mystique for myself. Since I have no preference or so-called sense of color, I could take almost everything that could be some accident of a previous painting. Or I set out to make a series. I take, for instance, some pictures where I take a color, some arbitrary color I took from some place. Well, this is gray maybe, and I mix the color for that, and then I find out that when I am through with getting the color the way I want it, I have six other colors in it, to get that color; and then I take those six colors and I use them also with this color. It is probably like a composer does a variation on a certain theme. But it isn’t technical, it isn’t just fun.
Willem de Kooning
Camus, Albert
Canaris, Wilhelm
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