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"Creativity is part of human nature. It can only be untaught."
--
Larmer, Brook. “Life’s Work: Ai Weiwei.” Harvard Business Review, April 6, 2012. http://hbr.org/2012/04/ai-weiwei/ar/1

 

Ai Weiwei

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The most important misunderstanding seems to me to lie in a confusion between the human necessities which I consider part of human nature, and the human necessities as they appear as drives, needs, passions, etc., in any given historical period. This division is not very different from Marx’s concept of "human nature in general", to be distinguished from "human nature as modified in each historical period". The same distinction exists in Marx when he distinguishes between "constant" or "fixed" drives and "relative" drives. The constant drives "exist under all circumstances and ... can be changed by social conditions only as far as form and direction are concerned". The relative drives "owe their origin only to a certain type of social organization".

 

Erich Fromm

 

Creativity is seeing what everyone else sees, but then thinking a new thought that has never been thought before and expressing it somehow. It could be with art, a sculpture, music or even in science. The difference, however, between scientific creativity and any other kind of creativity, is that no matter how long you wait, no one else will ever compose "Beethoven's Ninth Symphony" except for Beethoven. No matter what you do, no one else will paint Van Gogh's "Starry Night." Only Van Gogh could do that because it came from his creativity.

 

Neil deGrasse Tyson

 

In this sense genuine artists are so bound up with their age that they cannot communicate separated from it. In this sense, too, the historical situation conditions the creativity. For the consciousness which obtains in creativity is not the superficial level of objectified intellectualization, but is an encounter with the world on a level that undercuts the subject-object split. "Creativity" to rephrase our definition, “is the encounter of the intensively conscious human being with his or her world.”

 

Rollo May

 

I was lucky to be part of the "underground comix" thing in which cartoonists were completely free to express themselves. To function on those terms means putting everything out in the open—no need to hold anything back—total liberation from censorship, including the inner censor! A lot of my satire is considered by some to be "too hard." My "negro" characters are not about black people, but are more about pushing these "uncool" stereotypes in readers' faces, so suddenly they have to deal with a very tacky part of our human nature. ... Who did I think I was appealing to? I don't know. I was just being a punk, putting down on paper all these messy parts of the culture we internalize and keep quiet about. I admit I'm occasionally embarrassed when I look at some of that work now.

 

Robert Crumb

 

There are hidden contradictions in the minds of people who "love Nature" while deploring the "artificialities" with which "Man has spoiled 'Nature.'" The obvious contradiction lies in their choice of words, which imply that Man and his artifacts are not part of "Nature" — but beavers and their dams are. But the contradictions go deeper than this prima-facie absurdity. In declaring his love for a beaver dam (erected by beavers for beavers' purposes) and his hatred for dams erected by men (for the purposes of men) the Naturist reveals his hatred for his own race — i.e., his own self-hatred.
In the case of "Naturists" such self-hatred is understandable; they are such a sorry lot. But hatred is too strong an emotion to feel toward them; pity and contempt are the most they rate.
As for me, willy-nilly I am a man, not a beaver, and H. sapiens is the only race I have or can have. Fortunately for me, I like being part of a race made up of men and women — it strikes me as a fine arrangement — and perfectly "natural" Believe it or not, there were "Naturists" who opposed the first flight to old Earth's Moon as being "unnatural" and a "despoiling of Nature."

 

Robert A. Heinlein