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Abraham Joshua Heschel

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Religion is critique of all satisfaction. Its end is joy, but its beginning is discontent, detesting boasts, smashing idols. It began in Ur Kasdim, in the seat of a magnificent civilization. Yet Abraham said, "No," breaking the idols, breaking away. And so every one of us must begin by saying no to all visible, definable entities pretending to be triumphant, ultimate. The ultimate is a challenge, not an assertion. Dogmas are allusions, not descriptions.
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"No Religion is an Island", p. 264

 
Abraham Joshua Heschel

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There are four classes of Idols which beset men's minds. To these for distinction's sake I have assigned names — calling the first class, Idols of the Tribe ; the second, Idols of the Cave; the third, Idols of the Market-Place; the fourth, Idols of the Theater.

 
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With irony — though never with bitterness — Sydney satirised every form of self-righteous faith; to be without doubt was, to him, the ultimate in godless pride. In two books, The Rock Of Doubt (1978) and Dance In The Dark (1980), he set out the signposts of his journey in aphorisms, a journey through the holiness of humanity.
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"Monotheistic religions alone furnish the spectacle of religious wars, religious persecutions, heretical tribunals, that breaking of idols and destruction of images of the gods, that razing of Indian temples and Egyptian colossi, which had looked on the sun 3,000 years: just because a jealous god had said, 'Thou shalt make no graven image.'"

 
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