Oh who is that young sinner with the handcuffs on his wrists?
And what has he been after that they groan and shake their fists?
And wherefore is he wearing such a conscience-stricken air?
Oh they're taking him to prison for the colour of his hair.
--
Additional Poems, No. 18, st. 1 (1937).A. E. Housman
» A. E. Housman - all quotes »
I could feel the golden handcuffs of a comfortable but unfulfilling life snapping shut on my wrists.
Clarence Thomas
I thought that young people had more problems than old people, and I hoped I could last until I was older so I wouldn't have all those problems. Then I looked around and saw that everybody who looked young had young problems and that everybody who looked old had old problems. The "old" problems to me looked easier to take than the "young" problems. So I decided to go gray so nobody would know now old I was and I would look younger to them than how old they thought I was. I would gain a lot by going gray: (1) I would have old problems, which were easier to take than young problems, (2) everyone would be impressed by how young I looked, and (3) I would be relieved of the responsibility of acting young—I could occasionally lapse into eccentricity or senility and no one would think anything of it because of my gray hair. When you've got gray hair, every move you make seems "young" and "spry," instead of just being normally active. It's like you're getting a new talent. So I dyed my hair gray when I was about twenty-three or twenty-four.
Andy Warhol
The sinner is oftentimes raised to honours and dignities, whilst the just man is obliged to tread the lowly paths of subjection and submission to his orders. On this great day, these evils shall be fully rectified. The sinner shall be separated from the just, as soon as the book of conscience is displayed: and the honours and the dignities of the Heavenly Jerusalem shall be conferred on the deserving the true and faithful servants of the Lord.
Jean Baptiste Massillon
My colour has no symbolic function whatever. I don't want any colour to be noticeable. I want the colour to be the colour of life, so that you would notice it as being irregular if it changed. I don't want it to operate in the modernist sense as colour, something independent. I don't want people to say, "Oh, what was that red or that blue picture of yours, I've forgotten what it was."
Lucian Freud
It changes colour every time I do a film but I have this great guy called Rosario who works at a London salon called Hair Expressions who really knows what he’s doing. I’ve been told 80 times that I’ll have to have it all cut off because it’s ruined and then he fixes it. He’s the best hair man in the world."
Sienna Guillory
Housman, A. E.
Houssaye, Arsene
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