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A poet is, before anything else, a person who is passionately in love with language.
--
"Squares and Oblongs", in Poets at Work (1948), p. 170

 

Wystan Hugh Auden

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Language is a gift that puts lyrics to the music of our lives. Without spoken language we wouldn’t be able to say, ‘I love you’. We’d have to say ‘uuurrrgghh’ or hold up a sign. And whether it’s one person’s gentle English or another’s muddy, arrogant French, it’s our language that makes us unapproachable and difficult to understand.

 

Derren Brown

 

What is it that makes a person great, admired by creation, well pleasing in the eyes of God? What is it that makes a person strong, stronger than the whole world; what is it that makes him weak, weaker than a child? What is it that makes a person unwavering, unwavering as a rock; what is it that makes him soft, softer than wax? –It is love! What is it that is older than everything? It is love. What is it that outlives everything? It is love. What is it that cannot be taken but itself takes all? It is love. What is it that cannot be given but itself gives all? It is love. What is it that perseveres when everything falls away? It is love. What is it that comforts when all comfort fails? It is love. What is it that endures when everything is changed? It is love. What is it that remains when the imperfect is abolished? It is love. What is it that witnesses when prophecy is silent? It is love. What is it that does not cease when the vision ends? It is love. What is it that sheds light when the dark saying ends? It is love. What is it that gives blessing to the abundance of the gift? It is love. What is it that gives pith to the angel’s words? It is love. What is it that makes the widow’s gift an abundance? It is love. What is it that turns the words of the simple person into wisdom? It is love. What is it that is never changed even though everything is changed? It is love; and that alone is love, that which never becomes something else. It is love! Eighteen Upbuilding Discourses, Hong, p. 55

 

Soren Aabye Kierkegaard

 

The Greek language comes out with another word for love. It is the word agape. …agape is something of the understanding, creative, redemptive goodwill for all men. It is a love that seeks nothing in return. It is an overflowing love; it’s what theologians would call the love of God working in the lives of men. And when you rise to love on this level, you begin to love men, not because they are likeable, but because God loves them. You look at every man, and you love him because you know God loves him. And he might be the worst person you’ve ever seen. And this is what Jesus means, I think, in this very passage when he says, "Love your enemy." And it’s significant that he does not say, "Like your enemy." Like is a sentimental something, an affectionate something. There are a lot of people that I find it difficult to like. I don’t like what they do to me. I don’t like what they say about me and other people. I don’t like their attitudes. I don’t like some of the things they’re doing. I don’t like them. But Jesus says love them. And love is greater than like. Love is understanding, redemptive goodwill for all men, so that you love everybody, because God loves them. You refuse to do anything that will defeat an individual, because you have agape in your soul. And here you come to the point that you love the individual who does the evil deed, while hating the deed that the person does. This is what Jesus means when he says, "Love your enemy." This is the way to do it. When the opportunity presents itself when you can defeat your enemy, you must not do it.

 

Martin Luther King

 

No human being, even the most passionately loved and passionately loving, is ever in our possession.

 

Albert Camus

 

The poet takes us straight into the presence of things. Not by explanation, but by indication; not by exhausting its qualities, but by suggesting its value he gives us the object, raising it from the mire where it lies trodden by the concepts of the understanding, freeing it from the entanglements of all that “the intellect perceives as if constituting its essence.” Thus exhibited, the object itself becomes the meeting-ground of the ages, a centre where millions of minds can enter together into possession of the common secret. It is true that language is here the instrument with which the fetters of language are broken. Words are the shifting detritus of the ages; and as glass is made out of the sand, so the poet makes windows for the soul out of the very substance by which it has been blinded and oppressed. In all great poetry there is a kind of “kenosis” of the understanding, a self-emptying of the tongue. Here language points away from itself to something greater than itself.

 

L. P. Jacks