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William Ford Gibson

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The stick-on holograms had actually had some effect on Bobby, because religion was now something he felt he’d considered and put aside. Basically, the way he figured it, there were just some people around who needed that shit, and he guessed there always had been, but he wasn’t one of them, so he didn’t.
--
Ch. 6

 
William Ford Gibson

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The simple reason why we work together is just the contrast in our voices. People try to come up with intellectual reasons for 'the noise' and it ain't nothing intellectual. We was just making BAU tapes and needed voices to cut through that shit. Flavor got a powerful trebly voice, with cut. I got some bass with treble and pitch, which also cuts. So you put me and Flavor together and it's basically like Bobby Bird and James Brown — Everybody over here? Get on Up! The Bird/Brown combination set off everything.

 
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To be honest, for the first 15 years, I didn’t know we had a say in it. I figured shorts are shorts, I’ve never had a say in what size the shorts were since I was a little kid. I was lucky I wasn’t wearing my brother’s most of the time, it’s just what you have. It came to a surprise when people were making fun of me, ‘I can change them?’ And I didn’t want to at that point, they were comfortable. Styles are going to come and go. I think it’s easier to stay with what you’re comfortable with.

 
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With the same sword they knight you, they gon' good night you with/Shit, that's only half if they like you/That ain't even the half what they might do/Don't believe me, ask Michael/See Martin, see Malcolm/See Biggie, see Pac, see success and its outcome/See Jesus, see Judas/See Caesar, see Brutus, see success is like suicide/Suicide, this is whos inside/If you succeed, prepare/to be crucified/Media meddles, niggaz sue you, you settle/Every step you take, they/remind you you're ghetto/So it's tough being Bobby Brown/To be Bobby then, you have to be/Bobby now/And the question is, "Is to have had and lost/Better than not having at all?"

 
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