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Loss is not without its curious advantages for the artist. Major traumatic breaks are pretty common in the biographies of artists I respect.
--
Interview in The New York Times Magazine (19 August 2007)

 

William Ford Gibson

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Nile was an outstanding man in every respect. His calm and determined manner, his quick grin, his sound common sense, and his outstanding all-around abilities made him a wonderful asset to the squadron and a man that we were proud to call our friend. His loss was a terrible blow to all of us and a serious loss to the country he so ably served.

 

Nile Kinnick

 

[I'm] a sponge, the more I absorb, the more I am able to articulate my vision, as artists do, like Picasso. I'm an artist in that light. I went from being an artist to an artiste.

 

Usher (entertainer)

 

The new attitude of the critic toward the artist has been rationalized for me by a leading European art historian who is also an influential critic of current art. It is based on a theory of division of labor in making art history. The historian, he contends, knows art history and, in fact, creates it; the artist knows only how to do things. Left to himself, the artist is almost certain to do the wrong thing — to deviate from the line of art history and thus to plunge into oblivion. The critic's role is to steer him in the proper direction and advise changes in his technique and subject matter that will coordinate his efforts with the forces of development. Better still, critics should formulate historically valid projects for artists to carry out. That not all critics have the same expectations of the future of art does not, I realize, weaken the cogency of my colleague's argument. The surviving artist would be one who has been lucky enough to pick the winning critic. My own view that art should be left to artists seemed to my mentor both out-of-date and irresponsible.

 

Harold Rosenberg

 

I found I loved playing Serious Sam (it really captured the feel of the original Doom!), and hated working a cash register, so I wrote to the only email address I could find for Croteam (one of their artists!), and talked them into letting me do a Linux port. From there, I had some luck and started collecting other work... Now I do this sort of thing full time. I've touched pretty much every major game engine of the last decade, and worked with a lot of games.

 

Ryan C. Gordon

 

Lenin is an artist who has worked men, as other artists have worked marble or metals. But men are harder than stone and less malleable than iron. There is no masterpiece. The artist has failed. The task was superior to his capacities.

 

Vladimir Lenin