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Man is the only animal that contemplates death, and also the only animal that shows any sign of doubt of its finality. This does not mean that he doubts it as a future fact. He accepts his own death, with that of others, as inevitable; plans for it; provides for the time when he shall be out of the picture. Yet, not less today than formerly, he confronts this fact with a certain incredulity regarding the scope of its destruction.
--
The Meaning of Immortality in Human Experience (1957), p. 5

 

William Ernest Hocking

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MAN IS FUNDAMENTALLY AN ANIMAL. Animals, as distinct from man, are not machine-like, not sadistic; their societies, within the same species, are incomparably more peaceful than those of man. The basic question, then is: What has made the animal, man, degenerate into a machine?
When I say "animal," I do not mean anything bad, cruel or "base"; I am stating a biological fact. Man has developed the peculiar concept that he is not an animal at all, but, well — man; a creature which long since has shed that which is "bad," which is "animal." He demarcates himself in all possible ways from the bad animal and points, in proof of his "being better," to culture and civilization which distinguish him from the animal. He shows, in his whole behavior, his "theories of values," his moral philosophies, his "monkey trials" and such, that he does not want to be reminded of the fact that basically he is an animal, an animal, furthermore, which has much more in common with the "animal" than with that being which he asserts to be and dreams of being. The theory of the German Übermensch has this origin. Man shows by his maliciousness, his inability to live in peace with his kind, his wars, that what distinguishes him from the other animals is only his unbounded sadism and the mechanical trinity of the authoritarian concept of life, mechanistic science and the machine. If one looks at the results of civilization as they present themselves over long periods of time, one finds that these contentions of man are not only erroneous; more than that, they seem to be made expressly for the purpose of making man forget that he is an animal.

 

Wilhelm Reich

 

Probably the profoundest difference between human and animal needs is made by one piece of human awareness, one fact that is not present to animals, because it is never learned in any direct experience: that is our foreknowledge of death. The fact that we ourselves must die is not a simple and isolated fact. It is built on a wide survey of facts that discloses the structure of history as a succession of overlapping brief lives, the patterns of youth and age, growth and decline; and above all that, it is built on the logical insight that one’s own life is a case in point. Only a creature that can think symbolically about life can conceive of its own death. Our knowledge of death is part of our knowledge of life.

 

Susanne Langer

 

[The taxidermist is] a historian, dealing with an animal's past; the zookeeper is a politician, dealing with an animal's present; and everyone else is a citizen who must decide on that animal's future (...) The indifference of the many, combined with the active hatred of the few, has sealed the fate of animals.

 

Yann Martel

 

Of course you’re there. Death is always there. So why was I afraid? Your leap is swift. Your claws are sharp and merciful. What can you take from me which is not already yours? . . . Everything I have done until now has been fruitless. It has led to nothing. There was no other path except that it led to nothing — and before me now there is only one real fact — Death. The truth I have been seeking — this truth is Death. Yet Death is also a seeker. Forever seeking me. So — we have met at last. And I am prepared. I am at peace. Because I will conquer death with death.

 

Bruce Lee

 

The erotic instinct is something questionable, and will always be so whatever a future set of laws may have to say on the matter. It belongs, on the one hand, to the original animal nature of man, which will exist as long as man has an animal body. On the other hand, it is connected with the highest forms of the spirit. But it blooms only when the spirit and instinct are in true harmony. If one or the other aspect is missing, then an injury occurs, or at least there is a one-sided lack of balance which easily slips into the pathological. Too much of the animal disfigures the civilized human being, too much culture makes a sick animal.

 

Carl Jung